Page:EB1911 - Volume 01.djvu/778

 he invaded the territories of the Moors in Africa and by his successes there acquired his surname of “the African.” On his return to Portugal in 1475 his ambition led him into Castile, where two princesses were disputing his succession to the throne. Having been affianced to the Princess Juana, Alphonso caused himself to be proclaimed king of Castile and Leon; but in the following year he was defeated at Toro by Ferdinand, the husband of Isabella of Castile. He went to France to obtain the assistance of Louis XI., but finding himself deceived by the French monarch, he abdicated in favour of his son John. When he returned to Portugal, however, he was compelled by his son to resume the sceptre, which he continued to wield for two years longer. After that he fell into a deep melancholy and retired into a monastery at Cintra, where he died in 1481.

VI., the second king of the house of Braganza, was born in 1643 and succeeded his father in 1656. In 1667 he was compelled by his wife and brother to abdicate the throne and was banished to the island of Terceira. These acts, which the vices of Alphonso had rendered necessary, were sanctioned by the Cortes in 1668. He died at Cintra in 1675.

Spanish Kings.—From Alphonso I. (739–757) to Alphonso V. (999–1028) the personal history of the Spanish kings of this name is unknown and their very dates are disputed. I. is said to have married Ormesinda, daughter of Pelayo, who was raised on the shield in Asturias as king of the Goths after the Arab conquest. He is also said to have been the son of Peter, duke of Cantabria. It is not improbable that he was in fact an hereditary chief of the Basques, but no contemporary records exist. His title of “the Catholic” itself may very well have been the invention of later chronicles. II. (789–842), his reputed grandson, bears the name of “the Chaste.” The Arab writers who speak of the Spanish kings of the north-west as the Beni-Alfons, appear to recognize them as a royal stock derived from Alphonso I. The events of his reign are in reality unknown. Poets of a later generation invented the story of the secret marriage of his sister Ximena with Sancho, count of Saldaña, and the feats of their son Bernardo del Carpio. Bernardo is the hero of a cantar de gesta (chanson de geste) written to please the anarchical spirit of the nobles.

The first faint glimmerings of medieval Spanish history begin with III. (866–914) surnamed “the Great.” Of him also nothing is really known except the bare facts of his reign and of his comparative success in consolidating the kingdom known as “of Galicia” or “of Oviedo” during the weakness of the Omayyad princes of Cordova. IV. (924–931) has a faint personality. He resigned the crown to his brother Ramiro and went into a religious house. A certain instability of character is revealed by the fact that he took up arms against Ramiro, having repented of his renunciation of the world. He was defeated, blinded and sent back to die in the cloister of Sahagun. It fell to V. (999–1028) to begin the work of reorganizing the Christian kingdom of the north-west after a most disastrous period of civil war and Arab inroads. Enough is known of him to justify the belief that he had some of the qualities of a soldier and a statesman. His name, and that of his wife Geloria (Elvira), are associated with the grant of the first franchises of Leon. He was killed by an arrow while besieging the town of Viseu in northern Portugal, then held by the Mahommedans. (For all these kings see the article : History.)

With VI. (1065–1109) we come to a sovereign of strong personal character. Much romance has gathered round his name. In the cantar de gesta of the Cid he plays the part attributed by medieval poets to the greatest kings, to Charlemagne himself. He is alternately the oppressor and the victim of heroic and self-willed nobles—the idealized types of the patrons for whom the jongleurs and troubadours sang. (For the events of his reign see the article : History.) He is the hero of a cantar de gesta which, like all but a very few of the early Spanish songs, like the cantar of Bernardo del Carpio and the Infantes of Lara, exists now only in the fragments incorporated in the chronicle of Alphonso the Wise or in ballad form. His flight from the monastery of Sahagun, where his brother Sancho endeavoured to imprison him, his chivalrous friendship for his host Almamun of Toledo, caballero aunque mon, a gentleman although a Moor, the passionate loyalty of his vassal Peranzules and his brotherly love for his sister Urraca of Zamora, may owe something to the poet who took him for hero. They are the answer to the poet of the nobles who represented the king as having submitted to take a degrading oath at the hands of Ruy Diaz of Bivar (the Cid), in the church of Santa Gadea at Burgos, and as having then persecuted the brave man who defied him. When every allowance is made, Alphonso VI. stands out as a strong man fighting for his own hand, which in his case was the hand of the king whose interest was law and order and who was the leader of the nation in the reconquest. On the Arabs he impressed himself as an enemy very fierce and astute, but as a keeper of his word. A story of Mahommedan origin, which is probably no more historical than the oath of Santa Gadea, tells of how he allowed himself to be tricked by Ibn Ammar, the favourite of Al Motamid, the king of Seville. They played chess for an extremely beautiful table and set of men, belonging to Ibn Ammar. Table and men were to go to the king if he won. If Ibn Ammar gained he was to name the stake. The latter did win and demanded that the Christian king should spare Seville. Alphonso kept his word. Whatever truth may lie behind the romantic tales of Christian and Mahommedan, we know that Alphonso represented in a remarkable way the two great influences then shaping the character and civilization of Spain. At the instigation, it is said, of his second wife, Constance of Burgundy, he brought the Cistercians into Spain, established them in Sahagun, chose a French Cistercian, Bernard, as the first archbishop of Toledo after the reconquest in 1085, married his daughters, legitimate and illegitimate, to French princes, and in every way forwarded the spread of French influence—then the greatest civilizing force in Europe. He also drew Spain nearer to the papacy, and it was his decision which established the Roman ritual in place of the old missal of Saint Isidore—the so-called Mozarabic. On the other hand he was very open to Arabic influence. He protected the Mahommedans among his subjects and struck coins with inscriptions in Arabic letters. After the death of Constance he perhaps married and he certainly lived with Zaida, said to have been a daughter of “Benabet” (Al Motamid), Mahommedan king of Seville. Zaida, who became a Christian under the name of Maria or Isabel, bore him the only son among his many children, Sancho, whom Alphonso designed to be his successor, but who was slain at the battle of Uclés in 1108. Women play a great part in Alphonso’s life.

[ I., king of Aragon, “the Battler,” who married Urraca, daughter of Alphonso VI. (1104–1134), is sometimes counted the VIIth in the line of the kings of Leon and Castile. A passionate fighting-man (he fought twenty-nine battles against Christian or Moor), he was married to Urraca, widow of Raymond of Burgundy, a very dissolute and passionate woman. The marriage had been arranged by Alphonso VI. in 1106 to unite the two chief Christian states against the Almoravides, and to supply them with a capable military leader. But Urraca was tenacious of her right as proprietary queen and had not learnt chastity in the polygamous household of her father. Husband and wife quarrelled with the brutality of the age and came to open war. Alphonso had the support of one section of the nobles who found their account in the confusion. Being a much better soldier than any of his opponents he gained victories at Sepúlveda and Fuente de la Culebra, but his only trustworthy supporters were his Aragonese, who were not numerous enough to keep down Castile and Leon. The marriage of Alphonso and Urraca was declared null by the pope, as they were third cousins. The king quarrelled with the church, and particularly the Cistercians, almost as violently as with his wife. As he beat her, so he drove Archbishop Bernard into exile and expelled the monks of Sahagun. He was finally compelled to give way in Castile and Leon to his stepson Alphonso, son of Urraca and her