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 point of view the question was, did the enormity of the tsarevich’s crime absolve the tsar from the oath which he had taken to spare the life of this prodigal son? This question was solemnly submitted to a grand council of prelates, senators, ministers and other dignitaries on the 13th of June 1718. The clergy left the matter to the tsar’s own decision. The temporal dignitaries declared the evidence to be insufficient and suggested that Alexius should be examined by torture. Accordingly, on the 19th of June, the weak and ailing tsarevich received twenty-five strokes with the knout (as then administered nobody ever survived thirty), and on the 24th fifteen more. It was hardly possible that he could survive such treatment; the natural inference is that he was not intended to survive it. Anyway, he expired two days later in the guardhouse of the citadel of St Petersburg, two days after the senate had condemned him to death for imagining rebellion against his father, and for hoping for the co-operation of the common people and the armed intervention of his brother-in-law, the emperor. This shameful sentence was the outcome of mingled terror and obsequiousness. Abominable, unnatural as Peter’s conduct to his unhappy and innocent son undoubtedly was, there is no reason to suppose that he ever regretted it. He argued that a single worthless life stood in Russia’s way, and he therefore removed it. See R. N. Bain, The First Ramonovs (London, 1905).

ALFALFA, the name in America for the leguminous plant Medicago sativa, known elsewhere as lucerne (see ). ALFANI, DOMENICO, Italian painter, was born at Perugia towards the close of the 15th century. He was a contemporary of Raphael, with whom he studied in the school of Perugino. The two artists lived on terms of intimate friendship, and the influence of the more distinguished of the two is so clearly traceable in the works of the other, that these have frequently been attributed to Raphael. Towards the close of his life Alfani gradually changed his style and approximated to that of the later Florentine school. The date of his death, according to some, was 1540, while others say he was alive in 1553. Pictures by Alfani may be seen in collections at Florence and in several churches in Perugia. ALFELD, a town of Germany, in the Prussian province of Hanover, 10 m. W. of Hildesheim, on the river Leine and the Hanover-Cassel main line of railway. Pop. (1900) 4900. It has a handsome church with twin spires, and training colleges for schoolmasters and theological candidates. Its industries are flourishing, and embrace paper-making, agricultural machine-works, iron-founding and flax-spinning. ALFIERI, VITTORIO, (1749–1803), Italian dramatist, was born on the 17th of January 1749 at Asti in Piedmont. He lost his father in early infancy; but he continued to reside with his mother, who married a second time, till his tenth year, when he was placed at the academy of Turin. After he had passed a twelvemonth at the academy, he went on a short visit to a relation who dwelt at Coni; and during his stay there he made his first poetical attempt in a sonnet chiefly borrowed from lines in Ariosto and Metastasio, the only poets he had at that time read. When thirteen years of age he was induced to begin the study of civil and canonical law; but the attempt only served to disgust him with every species of application and to increase his relish for the perusal of French romances. By the death of his uncle, who had hitherto taken some charge of his education and conduct, he was left, at the age of fourteen, to enjoy without control his vast paternal inheritance, augmented by the recent accession of his uncle’s fortune. He now began to attend the riding-school, where he acquired that rage for horses and equestrian exercise which continued to be one of his strongest passions till the close of his existence.

After some time spent in alternate fits of extravagant dissipation and ill-directed study, he was seized with a desire of travelling; and having obtained permission from the king, he departed in 1766, under the care of an English preceptor. Restless and unquiet, he posted with the utmost rapidity through the towns of Italy; and his improvement was such as was to be expected from his mode of travelling and his previous habits. Hoping to find in foreign countries some relief from the tedium and ennui with which he was oppressed, and being anxious to become acquainted with the French theatre, he proceeded to Paris. But he appears to have been completely dissatisfied with everything he witnessed in France and contracted a dislike to its people, which his intercourse in future years rather contributed to augment than diminish. In Holland he became deeply enamoured of a married lady, who returned his attachment, but who was soon obliged to accompany her husband to Switzerland. Alfieri, whose feelings were of the most impetuous description, was in despair at this separation, and returned to his own country in the utmost anguish and despondency of mind. While under this depression of spirits he was induced to seek alleviation from works of literature; and the perusal of Plutarch’s Lives, which he read with profound emotion, inspired him with an enthusiastic passion for freedom and independence. Under the influence of this rage for liberty he recommenced his travels; and his only gratification, in the absence of freedom among the continental states, appears to have been derived from contemplating the wild and sterile regions of the north of Sweden, where gloomy forests, lakes and precipices conspired to excite those sublime and melancholy ideas which were congenial to his disposition. Everywhere his soul felt as if confined by the bonds of society; he panted for something more free in government, more elevated in sentiment, more devoted in love and more perfect in friendship. In search of this ideal world he posted through various countries more with the rapidity of a courier than of one who travels for amusement or instruction. During a journey to London he engaged in an intrigue with a married lady of high rank; and having been detected, the publicity of a rencounter with the injured husband, and of a divorce which followed, rendered it expedient and desirable for him to quit England. He then visited Spain and Portugal, where he became acquainted with the Abbé Caluso, who remained through life the most attached and estimable friend he ever possessed. In 1772 Alfieri returned to Turin. This time he became enamoured of the Marchesa Turinetti di Prie, whom he loved with his usual ardour, and who seems to have been as undeserving of a sincere attachment as those he had hitherto adored. In the course of a long attendance on his mistress, during a malady with which she was afflicted, he one day wrote a dialogue or scene of a drama, which he left at her house. On a difference taking place between them the piece was returned to him, and being retouched and extended to five acts, it was performed at Turin in 1775, under the title of Cleopatra.

From this moment Alfieri was seized with an insatiable thirst for theatrical fame, and the remainder of his life was devoted to its attainment. His first two tragedies, Filippo and Polinice were originally written in French prose; and when he came to versify them in Italian, he found that, from his Lombard origin and long intercourse with foreigners, he expressed himself with feebleness and inaccuracy. Accordingly, with the view of improving his Italian style, he went to Tuscany and, during an alternate residence at Florence and Siena, he completed his Filippo and Polinice, and conceived the plan of various other dramas. While thus employed he became acquainted with the countess of Albany, who then resided with her husband at Florence. For her he formed an attachment which, if less violent than his former loves, appears to have been more permanent. With this motive to remain at Florence, he could not endure the chains by which his vast possessions bound him to Piedmont. He therefore resigned his whole property to his sister, the countess Cumiana, reserving an annuity which scarcely amounted to a half of his original revenues. At this period the countess of Albany, urged by the ill-treatment she received from her husband, sought refuge in Rome, where she at length received permission from the pope to live apart from her tormentor. Alfieri followed the countess to that capital, where he completed fourteen tragedies, four of which were now for the first time printed at Sienna.

At length, however, it was thought proper that, by leaving Rome, he should remove the aspersions which had been thrown on the object of his affections. During the year 1783 he