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 from Italy a troupe of actors, and established them in the rue du Petit Bourbon, where they gave Jules Strozzi’s Achille in Sciro, the first opera performed in France. After Molière’s death in 1673, his theatre in the Palais Royal was given to Sulli, and there were performed all Gluck’s great operas; there Vestris danced, and there was produced Jean Jacques Rousseau’s Devin du Village.

Great Britain.—The Royal Academy of Arts in London, founded in 1768, is described in a separate article. (See .)

The Academy of Ancient Music was established in London in 1710, with the view of promoting the study and practice of vocal and instrumental harmony. This institution had a fine musical library, and was aided by the performances of the gentlemen of the Chapel Royal and the choir of St Paul’s, with the boys belonging to each, and continued to flourish for many years. About 1734 the academy became a seminary for the instruction of youth in the principles of music and the laws of harmony. The Royal Academy of Music was formed for the performance of operas, composed by Handel, and conducted by him at the theatre in the Haymarket. The subscription amounted to £50,000, and the king, besides subscribing £1000, allowed the society to assume the title Royal. It consisted of a governor, deputy-governor and twenty directors. A contest between Handel and Senesino, one of the performers, in which the directors took the part of the latter, occasioned the dissolution of the academy after it had existed with honour for more than nine years. The present Royal Academy of Music dates from 1822, and was incorporated in 1830. It instructs pupils of both sexes in music. (See also the article for colleges of music.)

Italy.—In 1778 an academy of painting and sculpture was established at Turin. The meetings were held in the palace of the king, who distributed prizes among the most successful members. In Milan an academy of architecture was established so early as 1380, by Gian Galeazzo Visconti. About the middle of the 18th century an academy of the arts was established there, after the example of those at Paris and Rome. The pupils were furnished with originals and models, and prizes were distributed by competent judges annually. The prize for painting was a gold medal. Before the effects of the French Revolution reached Italy this was one of the best establishments of the kind in that kingdom. In the hall of the academy were some admirable examples of Correggio, as well as several statues of great merit, particularly a small bust of Vitellius, and a torso of Agrippina, of most exquisite beauty. The academy of the arts, which had been long established at Florence, fell into decay, but was restored in the end of the 18th century. In it there are halls for nude and plaster figures, for the use of the sculptor and the painter, with models of all the finest statues in Italy. But the treasures of this and the other institutions for the fine arts were greatly diminished during the occupancy of Italy by the French. The academy of the arts at Modena, after being plundered by the French, dwindled into a petty school for drawing from living models. There is also an academy of the fine arts in Mantua, and another at Venice.

Russia.—The academy of St Petersburg was established in 1757 by the empress Elizabeth, at the suggestion of Count Shuvalov, and annexed to the academy of sciences. The fund for its support was £4000 per annum, and the foundation admitted forty scholars. Catherine II. formed it into a separate institution, augmented the annual revenue to £12,000, and increased the number of scholars to three hundred; she built for it a large circular building, which fronts the Neva. The scholars are admitted at the age of six, and continue until they have attained that of eighteen. They are clothed, fed and lodged at the expense of the crown; and are instructed in reading, writing, arithmetic, French, German and drawing. At the age of fourteen they are at liberty to choose any of the following arts; first, painting in all its branches, architecture, mosaic, enamelling, &c.; second, engraving on copper-plates, seal-cutting, &c.; third, carving on wood, ivory and amber; fourth,

watch-making, turning, instrument-making, casting statues in bronze and other metals, imitating gems and medals in paste and other compositions, gilding and varnishing. Prizes are annually distributed, and from those who have obtained four prizes, twelve are selected, who are sent abroad at the charge of the crown. A certain sum is paid to defray their travelling expenses; and when they are settled in any town, they receive during four years an annual salary of £60. The academy has a small gallery of paintings for the use of the scholars; and those who have made great progress are permitted to copy the pictures in the imperial collection. For the purpose of design, there are full-size models of the best antique statues in Italy.

South America.—There are several small academies in the various towns of South America, the only one of note being that of Rio de Janeiro, founded by John VI. of Portugal in 1816 and now known as the Escola Nacional de Bellas Artes.

Spain.—In Madrid an academy for painting, sculpture and architecture, the Academia de Bellas Artes de San Fernando, was founded by Philip V. The minister for foreign affairs is president. Prizes are distributed every three years. In Cadiz a few students are supplied by government with the means of drawing and modelling from figures; and such as are not able to purchase the requisite instruments are provided with them.

Sweden.—An academy of the fine arts was founded at Stockholm in the year 1733 by Count Tessin. In its hall are the ancient figures of plaster presented by Louis XIV. to Charles XI. The works of the students are publicly exhibited, and prizes are distributed annually. Such of them as display distinguished ability obtain pensions from government, to enable them to reside in Italy for some years, for the purposes of investigation and improvement. In this academy there are nine professors and generally about four hundred students.

Austria.—In the year 1705 an academy of painting, sculpture and architecture was established at Vienna, with the view of encouraging and promoting the fine arts.

United States of America.—In America the institution similar to the Royal Academy of Arts in London is the National Academy of Design (1826), which in 1906 absorbed the Society of American Artists, the members of the society becoming members of the academy.

ACADEMY, GREEK or (Gr.  or  ), the name given to the philosophic successors of Plato. The name is derived from a pleasure-garden or gymnasium situated in the suburb of the Ceramicus on the river Cephissus about a mile to the north-west of Athens from the gate called Dipylum. It was said to have belonged to the ancient Attic hero Academus, who, when the Dioscuri invaded Attica to recover their sister Helen, carried off by Theseus, revealed the place where she was hidden. Out of gratitude the Lacedaemonians, who reverenced the Dioscuri, always spared the Academy during their invasions of the country. It was walled in by Hipparchus and was adorned with walks, groves and fountains by Cimon (Plut. Cim. 13), who bequeathed it as a public pleasure-ground to his fellow-citizens. Subsequently the garden became the resort of (q.v.), who had a small estate in the neighbourhood. Here he taught for nearly fifty years till his death in 348, and his followers continued to make it their headquarters. It was closed for teaching by Justinian in 529 along with the other pagan schools. Cicero borrowed the name for his villa near Puteoli, where he composed his dialogue The Academic Questions.

The Platonic Academy (proper) lasted from the days of Plato to those of Cicero, and during its whole course there is traceable a distinct continuity of thought which justifies its examination as a real intellectual unit. On the other hand, this continuity of thought is by no means an identity. The Platonic doctrine was so far modified in the hands of successive scholarchs that the Academy has been divided into either two, three or five main sections (Sext. Empir. Pyrrh. Hyp. i. 220). Finally, in the days of Philo, Antiochus and Cicero, the metaphysical dogmatism