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of idols, and on sacrifices offered to idols, and trusted that the general gentleness and humanity enjoined on them as followers of their blessed Master, would keep them away from spectacles of cruelty and blood. We cannot, therefore, it appears to me, allege that dramatic representations are contrary either to the precepts or spirit of the Christian religion.

But probably it is not a real conviction, that going to a theatre is in itself unchristian or wrong, which keeps such persons away, but a conscientious persuasion that it ought to be discountenanced, because of the bad tendency of the pieces exhibited there, before the eyes of the innocent and susceptible; and because of the disorderly and worthless company who frequent playhouses, and gather about their passages and neighbourhood. These indeed are weighty and plausible reasons, that deserve to be thoroughly examined. And how far the absence of the grave and moral part of society from such places tends to remedy or increase the evils apprehended, ought also to be seriously considered. We shall begin, then, with the bad tendency of the pieces exhibited.

A manager must suit his plays to the character of the most influential part of his