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the largeness of our two regular, long-established Theatres, so unfavourable for seeing and hearing clearly and accurately, have changed in a great measure the character of the pieces generally exhibited within their walls, is a fact on which it would be useless now to dwell. How far the smaller Theatres of later establishment, some of which are of a proper size for the production of plays that depend for success on being thoroughly understood by the audience, will in time introduce a better state of things, it would be hazardous for any one to conjecture. At present, however, from various circumstances, from restrictions, from customs, from acquired tastes, &c. the prospect is not encouraging. But the cause that more, perhaps, than any other depresses the moral and rational effects of the Modern Stage, is an opinion entertained by many grave and excellent people, that dramatic exhibition is unfriendly to the principles and spirit of Christianity.

This deserves to be more seriously examined, because it prevails amongst a most respectable