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these various disguises, the workings of the same common nature; and in the superstitions of Egypt, no less than in the lofty visions of Plato, to recognise the existence of those moral ties which unite the heart of man to the Author of his being."

Many various circumstances, which it suits not my present purpose to mention, have produced this combination of gloomy, cruel, and absurd superstitions with Religion, even in nations and eras possessing much refinement of literature and perfection of the arts. But Religion, when more happily situated, grows from a principle into an affection,—an exalted, adoring devotion; and is then to be regarded as the greatest and noblest emotion of the heart. Considering it in this light, I have ventured, with diffidence and awe, to make it the subject of the following Drama.

The Martyr whom I have endeavoured to portray, is of a class which I believe to have been very rare, except in the first ages of Christianity. There have been many martyrs in the world. Some have sacrificed their lives for the cause of reformation in the Church, with the zeal and benevolence of patriotism: some for the maintenance of its ancient doctrines and rites, with the courage of soldiers in the breach of their beleaguredbeleaguered [sic] city: some for intricate points of doctrine, with the fire of controvertists, and the honour of men who disdained to compromise