Page:Dostoevsky - The Gambler and Other Stories, Collected Edition, 1914.djvu/260

 He was prompted rather by an instinctive impulse than by a logical, clearly defined motive for studying and knowing, and it was the same in every other work he had done hitherto, even the most trivial. Even as a child he had been thought queer and unlike his schoolfellows. He had never known his parents; he had to put up with coarse and brutal treatment from his schoolfellows, provoked by his odd and unsociable disposition, and that made him really unsociable and morose, and little by little he grew more and more secluded in his habits. But there never had been and was not even now any order and system in his solitary studies; even now he had only the first ecstasy, the first fever, the first delirium of the artist. He was creating a system for himself, it was being evolved in him by the years; and the dim, vague, but marvellously soothing image of an idea, embodied in a new, clarified form, was gradually emerging in his soul. And this form craved expression, fretting his soul; he was still timidly aware of its originality, its truth, its independence: creative genius was already showing, it was gathering strength and taking shape. But the moment of embodiment and creation was still far off, perhaps very far off, perhaps altogether impossible!

Now he walked about the streets like a recluse, like a hermit who has suddenly come from his dumb wilderness into the noisy, roaring city. Everything seemed to him new and strange. But he was so remote from all the world that was surging and clattering around him that he did not wonder at his own strange sensation. He seemed unconscious of his own aloofness; on the contrary, there was springing up in his heart a joyful feeling, a sort of intoxication, like the ecstasy of a hungry man who has meat and drink set before him after a long fast; though, of course, it was strange that such a trivial novelty as a change of lodgings could excite and thrill any inhabitant of Petersburg, even Ordynov; but the truth is that it had scarcely ever happened to him to go out with a practical object.

He enjoyed wandering about the streets more and more. He stared about at everything like a flâneur.

But, even now, inconsequent as ever, he was reading significance in the picture that lay so brightly before him, as though between the lines of a book. Everything struck him; he did not miss a single impression, and looked with thoughtful eyes into the faces of passing people, watched the characteristic aspect of everything around him and listened lovingly to the Rh