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 names, he expected to be able to look up a subject in an alphabetically arranged book?" Squire Pritchett never entered the library again. His son Elnathan might be caught by her airs and graces, he said rudely enough in the post-office, but he was "too old to be talked down to by a chit who didn't know granite from marble."

When the schoolboys asked for "Nick Carter" she gave them those classics, "The Rollo Books"; and to the French-Canadians she gave, reasonably enough, the acknowledged masters of their language, Voltaire, Balzac, and Flaubert, till the horrified priest forbade from the pulpit any of his simple-minded flock to enter "that temple of sin, the public library." She had little classes in art-criticism for the young ladies in town, explaining to them with sweet lucidity why the Botticellis and Rembrandts and Dürers were better than the chromos which still hung on the walls of the old library, now cold and deserted except for church suppers and sociables. These were never held in the new reading-room, the oriental rugs being much too fine to have doughnut crumbs and coffee spilled on them. After a time, however, the young ladies told her that they found themselves too busy getting the missionary barrels ready to continue absorbing information about Botticelli's rhythm and Dürer's line.

Miss Martin was not only pretty and competent, but she was firm of purpose, as was shown by her encounter with Elzaphan Hall, who had domineered over two generations of amateur librarians. The old man had received strict orders to preserve silence in the reading-room when the librarian could not be there, and yet one day she returned from the stack-room to find the place in a most shocking state of confusion. Everybody was