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Rh Barnet Skettles’s opinion of Mr. Baps, and that Sir Barnet flew into a perfect rage, and glowered at Mr. Baps over on the other side of the room. He even went so far as to Mr. Baps to Lady Skettles, in telling her what had happened, and to say that it was like his most con-sum-mate and con-foun-ded impudence.

There was another thing that Paul observed. Mr. Feeder, after imbibing several custard-cups of negus, began to enjoy himself. The dancing in general was ceremonious, and the music rather solemn—a little like church music in fact—but after the custard-cups, Mr. Feeder told Mr. Toots that he was going to throw a little spirit into the thing. After that, Mr. Feeder not only began to dance as if he meant dancing and nothing else, but secretly to stimulate the music to perform wild tunes. Further, he became particular in his attentions to the ladies; and dancing with Miss Blimber, whispered to her—whispered to her!—though not so softly but that Paul heard him say this remarkable poetry,

This, Paul heard him repeat to four young ladies, in succession. Well might Mr. Feeder say to Mr. Toots, that he was afraid he should be the worse for it to-morrow!

Mrs. Blimber was a little alarmed by this—comparatively speaking—profligate behaviour; and especially by the alteration in the character of the music, which, beginning to comprehend low melodies that were popular in the streets, might not unnaturally be supposed to give offence to Lady Skettles. But Lady Skettles was so very kind as to beg Mrs. Blimber not to mention it; and to receive her explanation that Mr. Feeder’s spirits sometimes betrayed him into excesses on these occasions, with the greatest courtesy and politeness; observing, that he seemed a very nice sort of person for his situation, and that she particularly liked the unassuming style of his hair—which (as already hinted) was about a quarter of an inch long.

Once, when there was a pause in the dancing, Lady Skettles told Paul that he seemed very fond of music. Paul replied, that he was; and if she was too, she ought to hear his sister, Florence, sing. Lady Skettles presently discovered that she was dying with anxiety to have that gratification; and though Florence was at first very much frightened at being asked to sing before so many people, and begged earnestly to be excused, yet, on Paul calling her to him, and saying, "Do, Floy! Please! For me, my dear!" she went straight to the piano, and began. When they all drew a little away, that Paul might see her; and when he saw her sitting there all alone, so young, and good, and beautiful, and kind to him; and heard her thrilling voice, so natural and sweet, and such a golden link between him and all his life’s love and happiness, rising out of the silence; he turned his face away, and hid his tears. Not, as he told them when they spoke to him, not that the music was too plaintive or too sorrowful, but it was so dear to him.

They all loved Florence. How could they help it! Paul had known beforehand that they must and would; and sitting in his cushioned corner, with calmly folded hands; and one leg loosely doubled under him, few would have thought what triumph and delight expanded his childish