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The Eighth Circle is called Malebolge, or Evil-budgets, and consists of ten concentric ditches, or Bolge of stone, with dikes between, and rough bridges running across them to the centre like the spokes of a wheel.

In the First Bolgia are punished Seducers, and in the Second, Flatterers.

2. Mr. Ruskin, Modern Painters, III. p. 237, says:—

"Our slates and granites are often of very lovely colors; but the Apennine limestone is so gray and toneless, that I know not any mountain district so utterly melancholy as those which are composed of this rock, when unwooded. Now, as far as I can discover from the internal evidence in his poem, nearly all Dante's mountain wanderings had been upon this ground. He had journeyed once or twice among the Alps, indeed, but seems to have been impressed chiefly by the road from Garda to Trent, and that along the Cornice, both of which are either upon those limestones, or a dark serpentine, which shows hardly any color till it is polished. It is not ascertainable that he had ever seen rock scenery of the finely colored kind, aided by the Alpine mosses: I do not know the fall at Forlì (Inferno, XVI. 99), but every other scene to which he alludes is among these Apennine limestones; and when he wishes to give the idea of enormous mountain size, he names Tabernicch and Pietra-pana,—the one clearly chosen only for the sake of the last syllable of its name, in order to make a sound as of crackling ice, with the two sequent rhymes of the stanza,—and the other is an Apennine near Lucca.

"His idea, therefore, of rock color, founded on these experiences, is that of a dull or ashen gray, more or less stained by the brown of iron ochre, precisely as the Apennine limestones nearly always are; the gray being peculiarly cold and disagreeable. As we go down the very hill which stretches out from Pietra-pana towards Lucca, the stones laid by the road-side to mend it are of this ashen gray, with efflorescences of manganese and iron in the fissures. The whole of Malebolge is made of this rock, 'All wrought in stone of iron-colored grain.

29. The year of Jubilee 1300. Mr. Norton, in his Notes of Travel and Study in Italy, p. 255, thus describes it:—

"The beginning of the new century brought many pilgrims to the Papal city, and the Pope, seeing to what account the treasury of indulgences possessed by the Church might now be turned, hit upon the plan of promising plenary indulgence to all who, during the year, should visit with fit dispositions the holy places of Rome. He accordingly, in the most solemn manner, proclaimed a year of Jubilee, to date from the Christmas of 1299, and appointed a similar celebration for each hundredth year thereafter. The report of the marvellous promise spread