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 And is it possible that a fault should be one man's, and the evil in another?—No.—Why then are you anxious about that which belongs to others?—Your question is reasonable; but I am anxious how I shall speak to him. Cannot you then speak to him as you choose?—But I fear that I may be disconcerted?—If you are going to write the name of Dion, are you afraid that you would be disconcerted?—By no means.—Why? is it not because you have practised writing the name?—Certainly.—Well, if you were going to read the name, would you not feel the same? and why? Because every art has a certain strength and confidence in the things which belong to it.—Have you then not practised speaking? and what else did you learn in the school? Syllogisms and sophistical propositions? For what purpose? was it not for the purpose of discoursing skilfully? and is not discoursing skilfully the same as discoursing seasonably and cautiously and with intelligence, and also without making mistakes and without hindrance, and besides all this with confidence?—Yes.—When then you are mounted on a horse and go into a plain, are you anxious at being matched against a man who is on foot, and anxious in a matter in which you are practised, and he is not?—Yes, but that person (to whom I am going to speak) has power to kill me. Speak the truth then, unhappy man, and do not brag, nor claim to be a philosopher, nor refuse to acknowledge your masters, but so long as you present this handle in your body, follow every man who is stronger than yourself. Socrates used to practise speaking, he who talked as he did to the tyrants, to the dicasts (judges), he who talked in his prison. Diogenes had practised speaking, he who spoke as he did to Alexander, to the pirates, to the person