Page:Dictionary of National Biography volume 63.djvu/193

 Wrottesley [see, second ].

[The history of the Wrottesley family in the Genealogist only extends (1900) to the fourteenth century. See also Hist. MSS. Comm. 4th Rep. App. pp. 339, 341; see also Black's Cat. Ashmolean MSS.; Addit. MSS. 5524 f. 223 b, 29995 f. 164 b; Cal. Patent Rolls Edward IV, vol. i. passim; Warkworth's Chron. (Camden Soc.), p. 19; Paston Letters, ii. 37; Lists of Sheriffs, 1898; Fabyan's Chron.; Shaw's Staffordshire, ii. 205; Simms's Bibl. Staffordiensis; Oman's Warwick the Kingmaker; Burke's Peerage, 1899.]

 WROUGHTON, RICHARD (1748–1822), actor, born in 1748, was bred as a surgeon in Bath, and made occasional appearances on the stage of that city. He came to London, followed by a young milliner who had fallen in love with him, who nursed him through a severe illness, and whom he married. His first appearance was made at Covent Garden on 24 Sept. 1768 as Zaphna in ‘Mahomet,’ and not apparently in Altamont in the ‘Fair Penitent’ (acted on the 12th), as all his biographers say. He was seen during the season as Tressel in ‘Richard III,’ Nerestan in ‘Zara,’ Creon in ‘Medea,’ Altamont, for his benefit, on 4 May 1769, and George Barnwell. He was slow in ripening, and his early performances gave little promise. By dint of sheer hard work he developed, however, into a good actor. During the seventeen years in which he remained at Covent Garden he played the principal parts in comedy and many important characters in tragedy and romantic drama. These included Dick in the ‘Miller of Mansfield,’ Frederick in the ‘Miser,’ Polydore in the ‘Orphan,’ Cyrus, Moneses in ‘Tamerlane,’ Claudio in ‘Measure for Measure,’ Guiderius, Colonel Briton in the ‘Wonder,’ Marcus in ‘Cato,’ Theodosius, Colonel Tamper in ‘Deuce is in him,’ Florizel in ‘Winter's Tale,’ Bonario in ‘Volpone,’ Sebastian in ‘Twelfth Night,’ Buckingham in ‘Henry VIII,’ Bellamy in ‘Suspicious Husband,’ Richmond in ‘Richard III,’ Younger Worthy in ‘Love's Last Shift,’ Lord Hardy in ‘Funeral,’ Poins, Dolabella in ‘All for Love,’ Myrtle in ‘Conscious Lovers.’ In the summers of 1772, 1773, and subsequent years he was in Liverpool, where he played, with other parts, Lear, King John, Henry V, Antony in ‘Love for Love,’ Romeo, Othello, Leontes, and Lord Townly. Back at Covent Garden, he was seen as Flaminius in ‘Herod and Mariamne,’ Shore in ‘Jane Shore,’ Alonzo in the ‘Revenge,’ Phocion in ‘Grecian Daughter,’ Laertes, Pedro in ‘Much Ado about Nothing,’ Oakly in ‘Jealous Wife,’ Juba in ‘Cato,’ Aimwell in ‘Beaux' Stratagem,’ Lord Randolph in ‘Douglas,’ Lovemore in ‘Way to keep him,’ Bassanio, Amphitryon, Castalio in the ‘Orphan,’ Fainall in ‘Way of the World,’ Romeo, Sir George Airy, Henry V, Hotspur, Kitely, Banquo, Ford, Tancred, Archer, Lear, Young Mirabel, Othello, Charles I, Wellborn in ‘New Way to pay Old Debts,’ Jaffier, Proteus in ‘Two Gentlemen of Verona,’ Darnley, Iachimo, Truewit in ‘Silent Woman,’ Colonel Standard, Evander, Plain Dealer, and Apemantus.

Among very many original parts which Wroughton enacted at Covent Garden, only the following call for mention: Prince Henry in ‘Henry II, King of England,’ by Bancroft or Mountfort, on 1 May 1773; Lord Lovemore in Kenrick's ‘Duellist’ on 20 Nov.; Elidurus in Mason's ‘Caractacus’ on 6 Dec. 1776; Earl of Somerset in ‘Sir Thomas Overbury,’ altered from Savage by Woodfall, 1 Feb. 1777; Douglas in Hannah More's ‘Percy,’ 10 Dec. This was one of Wroughton's best parts. About this time he seems to have joined Arnold in the proprietorship of Sadler's Wells, but he sold his share some twelve years later in 1790. He continued at Covent Garden as Orlando in Hannah More's ‘Fatal Falsehood,’ 6 May 1778; Sir George Touchwood in Mrs. Cowley's ‘Belle's Stratagem,’ 22 Feb. 1780; Raymond in Jephson's ‘Count of Narbonne,’ 17 Nov. 1781, and Don Carlos in Mrs. Cowley's ‘Bold Stroke for a Husband,’ 25 Feb. 1783.

In 1786–7 Wroughton disappeared from the bills, his parts at Covent Garden being assigned to Farren, and on 29 Sept. 1787, as Douglas in ‘Percy,’ he made his first appearance at Drury Lane. For the time being he replaced John Palmer (1742?–1798) [q. v.], but he practically remained at Drury Lane for the rest of his career. He played with the Drury Lane company at the Haymarket in 1792–3 Charles Surface, Clerimont, and other parts, and at Drury Lane enlarged his repertory by many new characters, including the Ghost in ‘Hamlet’ and Hamlet himself, King in ‘Henry IV’ and in ‘Richard III,’ Antonio in ‘Merchant of Venice,’ the Stranger in ‘Douglas,’ Leontes, Jaques, Careless in ‘Double Dealer,’ Jaques, Tullus Aufidius, Macduff, Moody in ‘Country Girl,’ Sciolto, Belarius, Kent and Edgar in ‘Lear,’ Sir Peter Teazle, and Leonato. Most conspicuous among his original characters were Gomez in Bertie Greathead's ‘Regent,’ 1 April 1788; Polycarp in Cumberland's ‘Impostors,’ 26 Jan. 1789; Periander to the Ariadne of Mrs. Siddons in Murphy's ‘Rival Sisters,’ 18 March 1793; Charles Ratcliffe in Cumberland's ‘Jew,’ 8 April 1794; Odoarto