Page:Dictionary of National Biography volume 62.djvu/112

Wilson WILSON, JOHN (d. 1751), botanist, was born at Longsleddal, near Kendal, Westmorland, and began life as a journeyman shoemaker, or, according to another account, as a stocking-maker. Being asthmatic, however, he required an outdoor life, and acted as assistant to Isaac Thompson, a well-known land surveyor of Newcastle-on-Tyne, while his wife carried on a baker's shop. Probably in connection with this last trade he obtained the nickname of ‘Black Jack.’ He possibly learnt his botany in part from John Robinson or FitzRoberts of the Gill, near Kendal, a correspondent of Ray and Petiver; but with ‘uncommon natural parts’ he made himself ‘one of the most knowing herbalists of his time’ (Newcastle Journal, 27 July 1751), and is said at one time to have earned 60l. a year by giving lessons in botany once a week at his native place and at Newcastle, many pupils coming to him from the south of Scotland. It is recorded of him that, being anxious to possess Morison's ‘Historia Plantarum,’ he determined to sell his cow, almost the sole support of his family, but a lady in the neighbourhood, hearing of the circumstance, gave him the book. This anecdote and the character of his work show that Wilson must have acquired a knowledge of Latin. In 1744 he published ‘A Synopsis of British Plants, in Mr. Ray's Method: … Together with a Botanical Dictionary. Illustrated with several Figures’ (Newcastle-upon-Tyne, 8vo). This book is based upon, but not a mere translation of, Dillenius's edition of Ray's ‘Synopsis Stirpium Britannicarum’ (1724), but is the first systematic account of British plants in English, and shows considerable original observation and thought (, Sketches of the Progress of Botany, ii. 264–9). The introduction of the artificial Linnæan system led to Wilson's work being overlooked; but Robert Brown, in his ‘Prodromus Floræ Novæ Hollandiæ’ (p. 490), dedicated the convolvulaceous genus Wilsonia ‘in memoriam Johannis Wilson auctoris operis haud spernandi.’ The descriptions of trees, grasses, and cryptogams, which were to have formed a second volume, were left in manuscript, which, in 1762, it was, according to Pulteney (op. cit. p. 269), proposed to publish. Wilson died at Kendal on 15 July 1751, the last three or four years of his life having been spent in so debilitated a state of health as to entirely unfit him for work.

 WILSON, JOHN (1720–1789), author of ‘The Clyde,’ son of William Wilson, farmer and blacksmith, was born in the parish of Lesmahagow, Lanarkshire, on 30 June 1720. He was educated at Lanark grammar school till the age of fourteen, when the death of his father and the straitened circumstances of his family constrained him to teach for a living. In 1746 he was appointed parish schoolmaster of Lesmahagow, whence he was invited in 1764 to superintend the education of certain families in Rutherglen, near Glasgow. In 1767 he was appointed master of the Greenock grammar school, a stipulation of his engagement being that he was to forsake ‘the profane and unprofitable art of poem-making.’ Referring to this in 1803 as a survival of the puritanical covenanting spirit, Scott writes, ‘Such an incident is now as unlikely to happen in Greenock as in London’ (Minstrelsy of the Scottish Border, ii. 176 n.) Wilson, burning his manuscripts, faithfully observed the conditions of his appointment, though conscious of passing ‘an obscure life, the contempt of shopkeepers and brutish skippers’ (Letter to his son, 21 Jan. 1779). He was a diligent and popular teacher, retaining office till two years before his death, which took place at Greenock on 2 June 1789.

Wilson married, on 14 June 1751, Agnes Browne, by whom he had nine children. James, the eldest son, becoming a sailor, was killed in 1776 in an engagement on Lake Champlain, his heroism on the occasion prompting government to bestow a small pension on his father. A daughter Violet, wife of Robert Wilson, a Greenock shipmaster, supplied matter for Leyden's memoir, 1803.

In 1760 Wilson printed ‘A Dramatic Sketch,’ which he afterwards elaborated into ‘Earl Douglas,’ and issued along with ‘The Clyde’ in 1764. From an imperfectly amended and enlarged copy Leyden published the final version of ‘The Clyde’ in ‘Scotish Descriptive Sketches,’ 1803. The dramatic poem is important mainly as an exercise, exhibiting in its two forms the author's skill and copiousness of expression and his growing sense of style. ‘The Clyde’ is distinctly meritorious. Its heroic couplets are dexterously managed, its historical allusions are relevant and suggestive, and its descriptive passages reveal independent outlook and genuine appreciation of natural beauty. It is, in Leyden's words, ‘the first Scottish loco-descriptive poem of any merit.’ 