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 had also a considerable parliamentary practice. He was one of the counsel engaged for Birkenhead in the great contests respecting the Liverpool and Mersey docks. In 1848 he published a handbook on ‘The Ports and Docks of Birkenhead,’ and in 1853 and 1857 he republished the reports of the acting committee of the conservators of the Mersey, and these books have been for many years the standard works of reference relating to that river. He was for long an active member of the governing body of the Society of Arts. He was in the chair at the meeting of the society in 1845 when the first proposal was made for holding the great International Exhibition of 1851, and formed one of the first committee appointed to organise that exhibition. He was elected a fellow of the Royal Society in 1847, and in 1865 he was appointed one of her majesty's counsel. He died in London on 3 June 1875.

Webster was twice married: first, in 1839, to Elizabeth, eldest daughter of Richard Calthrop of Swineshead Abbey, Lincolnshire; and, secondly, to Mary Frances, daughter of Joseph Cookworthy, M.D., of Plymouth. By his first wife he had three sons (the second of whom is Sir Richard Everard Webster, G.C.M.G., attorney-general) and two daughters; by his second wife he had one son and one daughter.



WEBSTER, THOMAS (1800–1886), painter, was born in Ranelagh Street, Pimlico, on 20 March 1800. His father, who held an appointment in the household of George III, took the boy to Windsor, where he remained till the king's death. He showed an early taste for music, and became a chorister at St. George's Chapel, but abandoned music for painting, and in 1821 became a student at the Royal Academy. He exhibited a portrait-group in 1823, and gained the first prize for painting in 1825. In that year he exhibited at the Suffolk Street Gallery 'Rebels shooting a Prisoner,' the first of those pictures of schoolboy life by which he won his reputation. In 1828 he exhibited 'The gunpowder Plot' at the Royal Academy, and in 1829 'The Prisoner' and 'A Foraging Party aroused' at the British Institution. These were followed by numerous other pictures of school and village life at both galleries. In 1840 Webster was elected an associate of the Royal Academy, and in 1846 an academician. He continued to be a frequent exhibitor till 1876, when he retired from the academy. He exhibited his own portrait in 1878, and 'Released from School,' his last picture, in 1879.

From 1835 to 1856 he resided at The Mall, Kensington, but the last thirty years of his life were spent at Cranbrook, Kent, where he died on 23 Sept. 1886.

In the limited range of subjects which he made his own, Webster is unrivalled. Two good specimens of his work, 'A Dame's School' and 'The Truant,' were presented to the National Gallery in 1847 as part of the Vernon collection. The painter bequeathed to the nation the portrait of his father and mother, painted in the fiftieth year of their marriage, which he had exhibited at the Royal Academy in 1844. Six pictures by him, including 'The Village Choir' and 'Sickness and Health.' are in the Sheepshanks collection at the South Kensington Museum. Three more in the same museum formed part of the Jones bequest. 'The Smile,' 'The Frown,' 'The Boy with Many Friends,' are among the numerous pictures which are well known by engravings. Webster contributed etchings of similar subjects by his own hand to the following volumes issued by the Etching Club: 'The Deserted Village,' 1841; 'Songs of Shakespeare,' 1843; and 'Etch'd Thoughts,' 1844.



WEBSTER, WILLIAM (1689–1758), divine, born at Cove in Suffolk in December 1689, was the son of Richard Webster (d. 1722), by his wife Jane, daughter of [q. v.], bishop of Norwich. His father was a nonjuring clergyman, who afterwards submitted and became vicar of Poslingford in Suffolk. Webster was educated at Beccles, and was admitted to Gonville and Caius College, Cambridge, on 2 March 1707–8. He graduated B.A. in 1711–12, M.A. in 1716, and D.D. in 1732. He was ordained deacon on 24 June 1713 as curate of Depden in Suffolk, and priest on 26 Feb. 1715–16 as curate of St. Dunstan-in-the-West, London. In 1723 he edited ‘The Life of General Monk’ (London, 8vo), from the manuscript of (1629?–1679) [q. v.], contributing a preface in vindication of Monck's character. A second edition appeared in 1724. In 1730 he translated ‘The New Testament, with Critical Remarks’ (London, 2 vols. 4to), from the French of Richard Simon. Leaving St. Dunstan's in 1731, he was appointed in August 1732 to the curacy of St. Clement, Eastcheap, and