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  of Neal, 1736 p. 414, 1739 p. 175; Peck's Desiderata Curiosa, 1779, ii. 536; Nichols's Hinckley, 1782, p. 77, and App. 1787, pp. 335, 403; Brook's Lives of the Puritans, 1813, iii. 230; Neal's Hist. of the Puritans (Toulmin), 1822, iv. 118; Hanbury's Historical Memorials, 1841, ii. 447; Colvile's Worthies of Warwickshire [1870], p. 277; Masson's Life of Milton, 1873, iii. 95, 391, 606; Mitchell and Struthers's Minutes of Westminster Assembly, 1874, pp. 12, 91, 156; Urwick's Nonconformity in Hertfordshire, 1884, p. 617; Cole's manuscript Athenæ Cantabr.; information from R. A. Neil, esq., Pembroke College, Cambridge; Notes and Queries, 9th ser. iv. 5.] 

VINING, GEORGE J. (1824–1875), actor, was born in 1824.

His father, (1795–1870), son of Charles Vining, a silversmith in Kirby Street, Hatton Garden, was first seen in London at Covent Garden, on 3 Oct. 1828, as Tybalt in ‘Romeo and Juliet,’ and played Prince of Wales in the ‘First Part of King Henry IV,’ Raymond in ‘Raymond and Agnes,’ and one or two other parts. He was with Madame Vestris at the Olympic in 1831. His last appearance was at the Lyceum in 1860. One of his latest parts was Doctor Manette in Tom Taylor's adaptation, ‘A Tale of Two Cities’ (Lyceum, 30 Jan. 1860). He was seen to most advantage in lovers and fops. He died on 27 June 1870.

George was educated at St. Peter's grammar school, Eaton Square, London, and subsequently in France. After serving as clerk in a bank six years, towards the end of which he played with an histrionic club at St. James's Theatre, he came out on 4 Dec. 1845 at the Newmarket Theatre as Hamlet. At Jersey he met Macready, in whose company his father had been, and accepted an engagement to play with him in Bath and Bristol. He then joined [q. v.] at the Marylebone Theatre, making there, 30 Aug. 1847, his first appearance in London as Florizel in the ‘Winter's Tale.’ In 1853 he was with [q. v.] at the Olympic, where in Tom Taylor's ‘Still Waters run deep’ he was, on 15 May 1855, the first Captain Hawksley. He played Charles Surface; was on 11 Feb. 1856 the original Frank Lauriston in ‘Stay at Home,’ an adaptation by Slingsby Lawrence (G. H. Lewes) of ‘Un Mari qui se dérange;’ and on 26 March 1857 the original Charles in ‘Daddy Hardacre,’ an adaptation of ‘La Fille de l'Avare.’ He spoke a prologue at the opening of the house under the management of Robson and Emden on 11 Aug. On 21 Oct. he was the first Frank Leveson in Troughton's ‘Leading Strings;’ on 19 April 1858 Colonel Clive in Oxenford's ‘Doubtful Victory;’ on 5 June Captain Hardingham in Tom Taylor's ‘Going to the Bad;’ on 2 Dec. Stephen Scatter in Oxenford's ‘Porter's Knot;’ on 5 May 1859 Whitewash in the ‘Counsel for the Defence;’ on 24 Sept. Sir Edward Ardent in ‘A Morning Call,’ taken from Musset; on 5 March 1860 Reginald Ready in ‘Uncle Zachary.’ He also played Wildrake in a revival of ‘The Love Chase.’ In 1862 he was at the St. James's, where he played, on 18 Jan., the hero of ‘Self-made,’ his own adaptation of ‘Le Chevalier de St. Georges,’ and on 8 March Mr. Union in ‘Friends or Foes,’ adapted by Horace Wigan from ‘Nos Intimes.’ At the Princess's on 24 June 1863 he was Mercutio to the Juliet of Stella Colas. He was the first Richard Goldsworthy in Watts Phillips's ‘Paul's Return’ (15 March 1864). In quick succession he was one of the Antipholuses in a revival of the ‘Comedy of Errors’ by the Brothers Webb; Philip II, an original part in Oxenford's ‘Monastery of St. Just;’ and Badger the detective—his most popular creation—in Boucicault's ‘Streets of London’ (1 Aug.). Under his own management, which began in 1863, he produced (4 Oct. 1865) Charles Reade's ‘Never too late to mend,’ playing Tom Robinson. [q. v.], theatrical critic of the ‘Morning Advertiser,’ harangued against the brutal realism of some of the scenes; there was a tumult in the house, and Vining made a speech of protest. On 2 July 1867 he played an original part in the ‘Huguenot Captain’ of Watts Phillips, of which Miss Neilson was the heroine, and on 12 Aug. 1868 a second in Boucicault's ‘After Dark.’ He was the first Bullhead, to Charles Mathews's Gentleman Jack, in ‘Escaped from Portland’ (9 Oct. 1869). After his retirement from management he played, at the Olympic, Count Fosco at the first production of Wilkie Collins's ‘Woman in White’ (9 Oct. 1871), obtaining a great success. He died at Reading on 17 Dec. 1875. Vining also played at Brighton, in October 1872, Marlborough in Watts Phillips's drama so called. He was a respectable actor, not in the first class.

George Vining's uncle, (1790?–1871), played at the age of sixteen, at Gravesend, Young Norval, and remained four years on the Gravesend, Worthing, Hythe, and Brighton circuit. He is said to have appeared in Bath in 1809 as Durimel in the ‘Point of Honour.’ Genest does not mention this performance. Thence he went to Norwich. He appeared at Covent Garden, 17 Sept. 1813, as Frederick in ‘The Poor