Page:Dictionary of National Biography volume 56.djvu/356

 He was a frequent contributor to the ‘Gentleman's Magazine,’ in which appeared (April 1813) his ‘Lines on Rogers's Epistle to a Friend,’ somewhat brutally parodied by Byron (Works, ed. 1855, ii. 345). His laboured and affected effusions met with deserved castigation at the hands of Moore (Edinburgh Review, September 1814).

 THURLOW, THOMAS (1737–1791), bishop of Durham, born at Ashfield, Suffolk, in 1737, was second son of Thomas Thurlow, rector of Little Ashfield, Suffolk. Edward Thurlow, first baron Thurlow [q. v.], was his elder brother. Thomas matriculated from Queen's College, Oxford, on 13 July 1754, and was a demy of Magdalen College from 1755 to 1759, when he was elected a fellow. He graduated B.A. on 11 April 1758, M.A. on 9 March 1761, B.D. on 13 April 1769, and D.D. on 23 June 1772. In 1771 he became rector of Stanhope in Durham, and in the following year was appointed master of the Temple. On 2 Nov. 1775 he was nominated dean of Rochester, and on 30 March 1779 he was consecrated bishop of Lincoln. On 13 March 1782 he became dean of St. Paul's, but resigned the office in 1787 on being translated to the see of Durham. He died in Portland Place, London, on 27 May 1791, and was buried in the Temple church. By his wife Anne, daughter of William Bere of Lymington, Hampshire, he left three daughters and a son Edward (1781–1829) [q. v.], who in 1806 succeeded his uncle as second Baron Thurlow. Thomas published a few sermons, but he owed his advancement in the church to the advocacy of his brother rather than to his own ability. He was, however, a zealous patron of literary merit.

 THURMOND, (fl. 1715–1737), actress (whose maiden name was Lewis), was born at Epsom in Surrey, and married John Thurmond the younger, a dancer, in Dublin. John Thurmond, her husband, was, says Chetwood, a good stage dancer, a person of ‘clean head [sic] and a clear heart, and inherits the mirth and humour of his late father.’ He contrived many profitable pantomimes for Drury Lane, and was occasionally trusted with a part (his first speaking part appears to have been Tattle in ‘Love for Love’ on 10 Aug. 1726), but, says Chetwood, ‘left the practice before it left him.’

Mrs. Thurmond's father-in-law, John Thurmond the elder, was acting at the same time and at the same theatres as his son, and played important parts. He was a partner with Thomas Elrington [q. v.] at Smock Alley Theatre, Dublin, where he played Phæax in ‘Timon of Athens.’ He was a popular and convivial man, concerning whom Chetwood tells a comical story, and he died a member of the Drury Lane company. Confusion between father and son is inevitable. It was the father who played Hamlet at Lincoln's Inn Fields, and probably the son who, at the same house, was Scaramouch to the Harlequin of Lun (Rich). The name of Thurmond appears also at Drury Lane to Kent in ‘Lear,’ Julius Cæsar, Balance in the ‘Recruiting Officer,’ Sir E. Belfond in the ‘Squire of Alsatia,’ Brabantio, Saturninus in ‘Titus Andronicus,’ and Portius in ‘Cato.’ His name is frequently on the bills until about 1726.

It is possible that Mrs. Thurmond was first seen on the stage at Dublin. The name of Mrs. Thurmond appears to Ruth in the ‘Committee’ and Evandra in Shadwell's ‘Timon of Athens’ at Smock Alley Theatre (it is possible, however, that her mother-in-law, Mrs. Winifred Thurmond, may here be referred to). On 2 June 1715 dances were given at Lincoln's Inn Fields by Thurmond, jun., ‘just arrived from Ireland,’ and on the 23rd Mrs. Thurmond, ‘who never acted on this stage,’ was the original Cosmelia in the ‘Doting Lovers, or the Libertine Tamed,’ by Newburgh Hamilton, taken in part from ‘The Witty Fair One’ of Shirley. On 8 July she played Portia in Lord Lansdowne's ‘Jew of Venice,’ and on 11 Aug. Julia in Mrs. Behn's ‘False Count.’ At the Lincoln's Inn Fields theatre she remained four years. Among the parts in which she was here seen were Arabella in Charles Johnson's ‘Wife's Relief’ to the Riot of her father-in-law; Corinna in ‘Woman's Revenge, or a Match in Newgate,’ adapted at secondhand by Christopher Bullock from Marston's ‘Dutch Courtezan;’ Belinda in the ‘Provoked Wife;’ Alinda in the ‘Pilgrim;’ Isabella, an original part, in Mrs. Davys's ‘Northern Heiress,’ on 27 April