Page:Dictionary of National Biography volume 49.djvu/120

 spirit of James II. In 1687 he petitioned the royal commissioners, then sitting at Oxford, to reinstate him, but he was persuaded to rest satisfied with the 30l. per annum which the college had voted him two years previously. His hymn ‘Te O Patrem colimus’ has been used every evening as grace in the college hall since his time, and is also sung annually on Magdalen tower every Mayday morning. Rogers retired to New Inn Hall Lane, and died there, aged 84, in 1698. He was buried on 21 June at St. Peter-le-Bailey. His widow, Ann, survived him only a few months. His son John, born in 1654, was B.A. 1674, M.A. 1677, clerk 1674–81. A granddaughter, Ann Rogers, dying in 1696, left most of the little property she possessed to ‘her deare, affectionate, tender, and well-beloved grandfather, Dr. Benjamin Rogers.’

Rogers's chief works are found in the various collections of cathedral music. They include a morning and evening service in D (Boyce, i.); evening service in A minor (Rimbault, Goss, and Turle); morning and evening verse service in G, by Peter or Benjamin Rogers (Rimbault); service in F; verse service in E minor (Ouseley). Among his published anthems are: a 4, ‘Behold, now praise the Lord;’ ‘Teach me, O Lord’ (Boyce, ii.; Hullah); Sanctus in D (Boyce, iv.); ‘Lord, who shall dwell’ (Page, iii.); ‘Praise the Lord, O my soul;’ ‘How long wilt Thou forget me;’ ‘Behold how good and joyful;’ ‘O give thanks;’ ‘O pray for the peace;’ ‘O that the salvation;’ ‘Save me, O God’ (Cope); ‘O God of truth’ (Hullah); ‘Everlasting God;’ ‘Hear me when I call’ (Clifford). For treble and bass: ‘Exaltabo Te;’ ‘Audivit Dominus;’ ‘Deus misereatur nostri;’ ‘Jubilate Deo omnis terra;’ ‘Tell mankind Jehovah reigns.’ For two trebles or tenors: ‘Lift up your head;’ ‘Let all with sweet accord’ (‘Cantica Sacra’); ‘Gloria’ (Playford's ‘Four-part Psalms’). His glees include: ‘The Jolly Vicar,’ a 3; ‘In the merry month of May,’ a 4; ‘Come, come, all noble souls,’ a 3 (many editions); ‘Bring quickly to me Homer's lyre’ (‘Musical Companion’). Thirty-six of his pieces are in ‘Court Ayres’ and ‘Musick's Handmaid’ (Playford).

There are unpublished anthems at Magdalen and New Colleges, Oxford, in the Aldrich collection at Christchurch, and at Ely, Gloucester, and other cathedral libraries.

 ROGERS, CHARLES (1711–1784), art collector, born on 2 Aug. 1711, was second surviving son of William and Isabella Rogers of Dean Street, Soho, London. In May 1731 he was placed in the custom house under William Townson, from whom he acquired a taste for the fine arts and book-collecting. Townson and his two sisters left by will all their estate, real and personal, to Rogers, a bequest which included a house at 3 Laurence Pountney Lane, London, containing a choice museum of art treasures. Here Rogers in 1746 took up his residence, and, aided by several friends who lived abroad, made many valuable additions to the collection. In 1747 he became clerk of the certificates. Through the interest of his friend Arthur Pond [q. v.] he was elected fellow of the Society of Antiquaries on 23 Feb. 1752, and several times served on the council. He became fellow of the Royal Society on 17 Nov. 1757 (, Hist. of Royal Society, App. iv. p. xlviii). Among his friends were Sir Joshua Reynolds, Horace Walpole, Richard Gough, Paul Sandby, Cipriani, Romney, and Angelica Kauffmann. He died unmarried on 2 Jan. 1784, and was buried in Laurence Pountney churchyard.

Rogers's collections passed at his death into the hands of William Cotton (d. 1791), who married his sister and heiress, and from him descended to his son, William Cotton, F.S.A., of the custom house. The latter sold by auction in 1799 and 1801 a considerable portion of the collection; the sale occupied twenty-four days, and realised 3,886l. 10s. The remainder, on Cotton's death in 1816, became the property of his son, William Cotton, F.S.A. (d. 1863), of the Priory, Leatherhead, Surrey, and Highland House, Ivybridge, Devonshire, who, after making some additions to the collection, handed it over in two instalments, in 1852 and 1862, to the proprietors of the Plymouth Public (now Proprietary) Library. A handsome apartment was built for its reception at a cost of 1,500l., and was opened to the public on 1 June 1853 by the name of the Cottonian Library. The collection includes four portraits by Sir Joshua Reynolds, about five thousand prints, a few fine examples of early typography, illuminated manuscripts of the fifteenth century, carvings, models, casts, bronzes, and medals. A catalogue of the first part of the benefaction, compiled by Llewellynn Frederick William Jewitt [q. v.], was printed in 1853; the second part remains uncatalogued. 