Page:Dictionary of National Biography volume 46.djvu/433

Proctor 1872. 7. 'Essays in Astronomy,' 1872, 8. 'Elementary Geography,' 1872. 9 'School Atlas of Astronomy,' 1872. 10. 'The Expanse of Heaven,' 1873. 11. 'The Moon,' 1873. 12. 'The Borderland of Science,' 1873. 13. 'The Universe and the Coming Transit,' 1874. 14. 'The Transit of Venus,' 1874. 15. 'Our Place among Infinities,' 1875. 16. 'Myths and Marvels of Astronomy,' 1877. 17. 'The Universe of Stars,' 1878, 18. 'Flowers of the Sky,' 1879. 19. 'The Poetry of Astronomy,' 1880. 20. 'Easy Star Lessons,' 1882. 21. 'Familiar Science Studies,' 1882. 22. 'Mysteries of Time and Space,' 1883. 2:3 'The Great Pyramid,' 1883. 24. 'The Universe of Suns,' 1884. 25. 'The Seasons,' 1885. 26. 'How to Play Whist,' 1885. 27. 'Other Suns than ours,' 1887. 28. 'Half-hours with the Stars,' 1887, He also contributed the articles on astronomy to the American Cyclopædia,' and to the ninth edition of the 'Encyclopædia Britannica.'

 PROCTOR, THOMAS (fl. 1578), poet, was the son of John Proctor [q. v.], first master of Tunbridge grammar school. He became free of the Stationers' Company on 17 Aug. 1584, having been apprenticed to John Allde (, Transcript, ii. 692). He was editor or author of: 1. 'A gorgious Gallery of gallant Inventions. . . . First framed and fashioned in sundrie formes by divers worthy Workemen of late dayes, and now joyned together and builded up by T. P.,' London, 1578, 4to. This is the third of the series of poetical miscellanies which began with Tottell's in 1557. It is preceded by commendatory versus signed A. M. (Anthony Munday ?), and by an address by 'Owen Roydon to the curious company of Sycophantes.' The first poem of the 'Gallery' is signed by O. R., and then all the poems are unsigned till page 100 (, Seven English Poetical Miscellanies, iii.), where the heading occurs of 'Pretie Pamphlets by T. Proctor.' The poem that follows is called 'Proctor's Precepts,' and in the remaining fifty-two pages the signature T. P. follows ten of the pieces. The longest poem in the volume is 'The History of Pyramus and Thisbie truely translated.' It is unsigned, and perhaps from an Italian original. It may well have been in Shakespeare's mind when he wrote the 'Midsummer Night's Dream.' Collier has conjectured that Owen Roydon was the original editor of the anthology, but died while it was in progress, leaving the work to Proctor. The book has been reprinted in Park's 'Heliconia,' 1815, vol. i., and in 'Three Collections of English Poetry of the Latter Part of the Sixteenth Century,' London, 1578–9, edited by Sir Henry Ellis for the Roxburghe Club; and in 'Seven English Poetical Miscellanies,' printed between 1557 and 1602, reproduced under the care of J. Payne Collier, London, 1877. 2. 'The Triumph of Trueth, manifesting the Advancement of Vertue and the Overthrow of Vice. Hereunto is added "Cæsars Triumph," the "Gretians Conquest," and the "Desert of Dives,"' published by T. P., 4to. These poems are not dated, and were perhaps printed for private circulation; Mr. C. W. Hazlitt assigns them to 1585. They have been reprinted by J. Payne Collier in 'Illustrations of Old English Literature,' London, 1866, vol. ii. tract 8. 3. 'Of the Knowledge and Conduct of Warres, two bookes, latelie written and sett foorthe, proffitable for suche as delight in histories, or martiall affayres, and necessarie for the present tyme,' 1578, 4to. This was licensed to Tuttell (, Coll. 3rd ser. p. 205).

It was probably another Thomas Proctor who was author of: 1. 'A Profitable Worke to this Whole Kingdome ... by Tho. Procter, Esqre,' 1610, 4to (Brit. Mus.) 2. 'The Right of Kings, conteyning a Defence of their Supremacy,' 1621, 4to. 3. 'The Righteous Man's Way. . .'1621, 4to.

 PROCTOR, THOMAS (1753–1794), historical painter and sculptor, was born at Settle, Yorkshire, on 22 April 1753. His father, who was in humble circumstances, apprenticed him to a tobacconist in Manchester, but he afterwards came to London, and for a time found employment in a merchant's counting-house. In 1777 he became a student of the Royal Academy. Inspired by the works of James Barry, he painted a large picture of 'Adam and Eve,' and in 1780 began to exhibit, sending a portrait to the Royal Academy, and another to the Incorporated Society of Artists. In 1782 he gained a premium at the Society of Arts, and a medal at the Royal Academy for drawing from the life, in 1783 a silver medal at the Royal Academy for a model from the life, and in 1784 the gold medal for historical