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 will be inseparably connected. When the crown in January 1811 re-entered into possession of the land known as Marylebone Park, an act of parliament was obtained to form a public park there and to build on the ground adjoining it. The plans were made by Nash, who obtained the premium of 1,000l offered by the treasury in 1793. Nash also designed the terraces along the edge of the park (except Cornwall and Munster Terraces); in these he followed out a design previously adopted by the brothers Adam, of uniting several houses in a single facade, faced with stucco. A special clause was inserted in the leases whereby the lessees covenanted to renew the stucco exteriors every 4th August during their lease. The park was christened the Regent's Park. Park Crescent and Square, with Albany and other adjoining streets, were also erected from Nash's designs. He also projected the Regent's Canal, connecting the Thames at Limehouse with the Grand Junction Canal at Paddington. This was commenced in October 1812, and finally completed in August 1820.

A desire was now felt to make a wide street as a means of communication from Carlton House, the residence of the prince regent, to the Regent's Park. An act of parliament for this important work was obtained in 1818, and the new street was nearly completed in 1820. The street started from Carlton House, sweeping away St. Alban's Street and the rest of the small streets known as St. James's Market; it then crossed Piccadilly, and, following the course of the old Swallow Street, was originally intended to open straight into Portland Place. Foley House and its grounds, on which the Langham Hotel now stands, were purchased by Nash for this purpose at a price of 70,000l, but he subsequently altered his plan through A disagreement with Sir James Langham, and diverted the new street so as to make a sharp turn into Portland Place. At this turn Nash built All Souls' Church, to terminate the view up the new street, which was christened Regent Street. This church, with its pointed spire and round colonnade, which was advanced unduly forward towards the street, was the butt of many caricaturists of the period. For the buildings Nash adopted his former principle of several single facades; these gave a continuous architectural effect, but owing to the great length of the street became featureless and monotonous. Among the important features of Nash's design was the Quadrant, extending from Glasshouse Street to Piccadilly, consisting of two rows of shops with projecting colonnades. The colonnades, however, in themselves a very striking piece of architecture, were removed in 1848 at the request of the shopkeepers, and for other public reasons. Among the buildings erected by Nash in this street were the Argyll Rooms (burnt down in 1834), and a spacious residence, situated halfway between Piccadilly Circus and Waterloo Place, on the east side, which he built for himself; he removed to it from his former house at 29 Dover Street, Piccadilly, and resided there until he retired from the profession. To this house he added a picture gallery, decorated with copies of paintings by Raphael, to make which he obtained the special permission of the pope, and employed artists for four years at Rome. The house subsequently passed through various hands, was known at one time as 'The Gallery of illustration,' and was the temporary home of the Constitutional and Junior Constitutional Clubs.

Nash also altered and enlarged the opera-house in the Haymarket (pulled down in 1893), and added the arcade and colonnade. He designed the Haymarket Theatre; the Gallery of British Artists, Suffolk Street (with James Elmes [q. v.) ; the Church of St. Mary, Haggerston; the United Service Club, Pall Mall; the east wing of Carlton House Terrace; and he completed the laying out of St. James's Park. Nash was employed by the prince regent to repair and enlarge Buckingham House; contrary to the intention of parliament in voting the money, this resulted in its complete reconstruction as Buckingham Palace (again altered by Edward Blore [q.v.] after the accession of Queen Victoria). One of the features of Nash's design was a large entrance archway, modelled on the arch of Constantine at Rome; but this was removed to Cumberland Gate, Hyde Park, in 1850-1, and is generally known as the Marble Arch. Nash also designed the entrance to the Royal Mews in Buckingham Palace Road. He was further employed by the prince regent in making extensive alterations and additions to the Pavilion at Brighton.

About 1831 Nash retired from business, and went to reside at East Cowes Castle, Isle of Wight, which he had erected in earlier days for himself. He died there on 13 May 1836, in his eighty-third year.

Few architects have been given such opportunities of distinction as Nash, but it cannot be said that he proved himself quite worthy of them. Regent Street ranks among the great thoroughfares of the world, but its architecture is its least satisfactory feature. Never original in his ideas, Nash seemed devoid of any sense of grandeur or freedom in his style. No one of the buildings designed by him qualifies him to rank as a great 