Page:Dictionary of National Biography volume 38.djvu/79

Mitchell Designs,' London, 1801, in English and French. The work contains views of the buildings mentioned above.

[Dict. of Architecture; Redgrave's Dict. of Artists; Royal Academy Catalogues; Gent. Mag. 1801, pp. 639-41.]  MITCHELL, THOMAS (fl. 1735–1790), marine-painter and naval official, was a shipwright by profession who also practised with some success as a painter of marine subjects. He first exhibited at the Free Society of Artists in 1763, when he was residing on Tower Hill. He exhibited there again in 1768 and the following years, when he was employed as assistant shipbuilder at Chatham dockyard. In 1774 he appears as builder's assistant at Deptford dockyard, and was afterwards employed in the navy office, becoming eventually assistant surveyor of the navy. He exhibited at the Royal Academy from 1774 to 1789. A number of drawings by Mitchell are in the print room at the British Museum, the earliest dated being a view of Westminster Bridge in 1735. Some of his drawings were engraved.

 MITCHELL, THOMAS (1783–1845), classical scholar, born on 30 May 1783, was son of Alexander Mitchell, riding master, successively of Hamilton Place and Grosvenor Place, London. In June 1790 he was admitted to Christ's Hospital, and in October 1802 went to Pembroke College, Cambridge, with one of the hospital exhibitions (List of University Exhibitioners, ed. Lockhart, 2nd edit.) In 1806 he graduated B.A. as eighth senior optime and was first chancellor's medallist. By reason of a novel regulation, which enacted that not more than two students educated at the same school should be fellows of the college at one time, he was refused a fellowship at Pembroke, greatly to his disappointment, as he could have held it without taking orders. In 1809 he proceeded M.A. and was elected to an open fellowship at Sidney Sussex, which he had to vacate in 1812 on account of his refusal to be ordained. He supported himself by private tuition and literary work. From 1806 to 1816 he was tutor successively in the families of Sir George Henry Rose, Robert Smith (whose son, afterwards the Right Hon. Vernon Smith, was his favourite pupil), and Thomas Hope. In 1810 he was introduced to William Gifford [q. v.], and in 1813 he commenced a series of articles in the 'Quarterly Review ' on Aristophanes and Athenian manners (Nos. xvii. xlii. xliii. xlv. xlviii. liv. lviii. lxvi. Ixxxviii.), the success of which subsequently induced him to undertake his spirited and accurate verse translation of Aristophanes's comedies of the 'Acharnians,' 'Knights,' 'Clouds,' and 'Wasps,' (2 vols. 1820-2). He declined soon afterwards a vacant Greek chair in Scotland, on account of his objection to sign the confession of the Scotch kirk. In June 1813 Leigh Hunt invited him to dinner in Horsemonger Lane gaol, along with Byron and Moore (, Life of Byron, 1847, p. 183). Byron afterwards spoke of his translation of Aristophanes as 'excellent' (ib. p. 455). For the last twenty years of his life Mitchell resided with his relatives in Oxfordshire, occasionally superintending the publication of the Greek authors by the Clarendon Press. During 1834-8 he edited in separate volumes for John Murray the 'Acharnians' (1835), 'Wasps' (1835), 'Knights' (1836), 'Clouds (1838), and 'Frogs' (1839) of Aristophanes, with English notes. This edition was adversely criticised by the Rev. George John Kennedy, fellow of St. John's College, Cambridge, and Mitchell published a reply to Kennedy in 1841. His 'Preliminary Discourse' was republished in vol. xiii. of Philippus Invernizi's edition of 'Aristophanes/ 1826. In 1839 he entered into and engagement with John Henry Parker [q. v.], publisher, of Oxford, to edit 'Sophocles,' but after the publication of three plays in 1842,Parker suspended the edition on the ground that schoolmasters objected to the diffuseness of English notes. Mitchell, left without regular employment, fell into straitened circumstances, but was granted by Sir Robert Peel 150l. from the royal bounty. In 1843 Parker resumed his publication of 'Sophocles,' and Mitchell edited the remaining four plays, with shorter notes than before, and in 1844 he began a school edition of a 'Pentalogia Aristophanica,' with brief Latin notes. He had nearly completed this task when he died suddenly of apoplexy, on 4 May 1845, at his house at Steeple Aston, near Woodstock. He was unmarried.

Mitchell also published useful indexes to Reiske's edition of the 'Oratores Attici' (2 vols. 8vo, Oxford, 1828), 'Isocrates' (8vo, Oxford, 1828), and 'Plato' (2 vols. 8vo, Oxford, 1832).

In the British Museum Library are Mitchell's copiously annotated copies of 'Æschylus,' 'Euripides,' 'Aristophanes,' and Bekker's edition of the 'Oratores Attici.'

[Classical Museum, iii. 213-16; Gent. Mag. 1845 pt. ii. pp. 202-4; Trollope's History of Christ's Hospital, pp. 141, 306; Brit. Mus. Cat.; Cambridge University Calendars.] 