Page:Dictionary of National Biography volume 38.djvu/392

 Clematis as a Garden Flower,’ with George Jackman, 8vo, 1872. 10. ‘Thompson's Gardener's Assistant,’ 2nd ed. 8vo, 1876. Moore also wrote the article ‘Horticulture’ in the ninth edition of the ‘Encyclopædia Britannica,’ in conjunction with Dr. Maxwell Masters, afterwards published in an expanded form as ‘The Epitome of Gardening,’ 8vo, 1881.

 MOORE, WILLIAM (1590–1659), librarian, was son of William Moore of Gissing, Norfolk, where he was born in 1590. He was sent to the school of Moulton, a few miles from his father's house, and then kept by Mr. Matchet. He was admitted at Gonville and Caius College, Cambridge, as a scholar 22 June 1606, graduated M.A. in 1613, and on 17 Nov. in that year was admitted a fellow. He spent most of his life within the university, and became well known to all the literary men of his time (, The University Library). In 1638 he wrote a poem in the 'Obsequies to the Memorie of Mr. Edward King' (pp. 10, 11), in which Milton's 'Lycidas' was first printed. His name is spelt More in this publication, as well as in Dd. iv. 36, a manuscript in the Cambridge University Library containing a list of his books, but everywhere else it appears as Moore. The poem, which is signed at the end, begins, I do not come like one affrighted from The shades infernal or some troubled tomb,

and consists of forty lines of heroic verse. He was elected university librarian in 1653, and held office till his death in 1659. A small notebook of his containing receipts and a list of medicines with prices, dated 1657, is preserved in the Cambridge University Library. He received from Sir Samuel Morland [q. v.] the fine collection of Waldensian books now in the Cambridge Library, and was an assiduous librarian. In his own college he continued the 'Annales Collegii' begun by Dr. John Caius [q. v.], and bequeathed to it the whole of his own library. In spite of his learning and his benefactions, as Henry Bradshaw remarks, 'his fellowship, his college, and even his degree, are all ignored in the list of librarians in the printed Graduati, where he appears simply as Gul. Moore. In the list of the large collection of manuscripts given to his own college, printed in the Oxford catalogue of 1697, he is misnamed John Moore, while in the modern catalogue of the Caius manuscripts, compiled by one who ought to have known better, his name is most unaccountably passed over altogether in silence' (The University Library).

 MOORE, WILLIAM (1790–1851), portrait-painter, born at Birmingham on 30 March 1790, studied under Richard Mills in that city, but after some employment as a designer for commercial purposes, he turned his hand to portrait-painting. In this line he achieved some success and some repute in London. Eventually he settled at York, where he obtained considerable patronage in that city and its neighbourhood. Moore worked in oil, water-colours, and pastel. The deleterious ingredients used in the last method brought on an illness, and hastened his death, which took place at York on 9 Oct. 1851. Moore was twice married : first, on 12 March 1812, to Martha Jackson of Birmingham; secondly, in 1828, at Gainsborough, to Sarah, daughter of Joseph Collingham of Newark. By them he was the father of fourteen children, including thirteen sons; several of the latter, besides Albert Joseph Moore, who is separately noticed, and the well-known painter, Henry Moore, R.A., he brought up to the artist's profession.

(1813-1893), painter, the eldest son by his first wife, was born on 29 Jan. 1813 at Birmingham. He studied water-colour painting under David Cox the elder, and also under Samuel Prout. He was employed for many years as a teacher of painting in water-colours at York, especially by the Society of Friends in their schools there, from whom he received a pension after fifty-seven years' work for them. Moore was an occasional exhibitor at the Royal Academy, and died at York on 27 July 1893.

(1829-1880), painter, the eldest son of William Moore by his second wife, was born at Gainsborough on 12 March 1829. He practised early as a painter, studying under his father, and later, in 1851, in the schools of the Royal Academy. He was a constant exhibitor at the Royal Academy from 1853 to the year of his death. Moore was best known by his work in watercolour, and especially by his portraits of children and landscape views in or near Rome and Florence. He married in 1865 Miss Emily Simonds of Reading, and died in London on 12 July 1880. 