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Marvell 438). The corporation of Hull voted 50l. out of the town chest for his funeral and gravestone, but the opposition of the incumbent is said to have prevented the erection of the monument. The epitaph intended to have been engraved on it is given by Cooke (Maetell, ed. 1772, i. 35; cf. Grosart, vol. ii. p. xlvii). A monument with a slightly altered version of the epitaph was erected by Marveil's grandnephew, Robert Nettleton, upon the north end of the church in 1764 (Thompson, Marvell, iii. 482, 491-3).

Marvell's earliest biographers, Cooke and Thompson, both assert that he was never married, and that the Mary Marvell who claimed to be his widow, and published his poems, was simply the woman with whom he lodged. On tue other hand, the ' Administration Book of the Prerogative Court of Canterbury' shows that administration of his goods was granted to his relict, Mary Marvell, and to a creditor, John Green, on 19 March 1679, and it is to be presumed that she gave proof of her marriage. He left no children (Grosart, vol. i. p. Iii ; Cooke, p. 34; Thompson, iii. 489; Wills from Doctors' Commons, Camd. Soc, p. 161).

An engraved portrait of Marvell is prefixed to the first edition of his poems (1681), and aversion of the same, reduced, serves as a frontispiece to Cooke's edition. In 1760 Thomas Hollis bought a portrait of Marvell in oils which had been in the possession of Ralph Thoresby. An engraving of this by Cipriani is given in the 'Life of Hollis.' by T. B. Hollis, p. 97 ; and it was also engraved by James Basire for Thompson's edition of Marvell's i Works.' This portrait represents Marvell in the forty-first year of his age, i.e. in 1G61-2. Another portrait of Marvell was given to the British Museum in 1764 by Ins grandnephew, Robert Nettleton (Thompson, iii. 493). This portrait is now in the National Portrait Gallery. An engraving of it is prefixed to Mr. Aitken's edition of Marvell, 1892. Dr. Grosart's edition (1872) contains a portrait by Adrian Hannemann, now in the possession of John Rhodes, esq., of Leeds.

Aubrey describes Marvell's person and habits thus : ' He was of a middling stature, pretty strong-set, roundish-faced, cherry-cheeked, hazel eye, brown hair. He was in his conversation very modest and of very few words. Though he loved wine, he would never drink hard in company, and was wont to say " that he would not play the good fellow in any man's company in whose hands he would not trust his life." He kept bottles of wine at his lodging, and many times he would drink liberally by himself to refresh his spirits and exalt his muse ' {Letters from the Bodleian, ii. 437). The story of Lord-treasurer Danby's visit to Marvell's lodgings and Marvell's indignant refusal of the offers made to him appears first in Cooke's ' Life' in 1726, and is much embellished by later biographers. According to Cooke, Marvell ' having one night been entertained by the King, who had often been delighted in his company, his Majestv the next day sent the Lord Treasurer Danby to find out his lodging.' Danby found Marvell writing 'up two pair of stairs in a little court in the Strand,' and announced ' that he came with a message from his Majesty, which was to know what he could do to serve him,' His answer was, ' in his usual facetious manner, that it was not in His Majesty's power to serve him.' Danby then definitely offered him a place at court. Marvell refused, saying 'that he could not accept with honour, for he must be either ungrateful to the King in voting against him, or false to his country in giving in to the measures of the court ; therefore the only favour he begged of his Majesty was that he would esteem him as dutiful a subject as any he had, and more in his proper interest in refusing his offers than if he had embraced them.' Then the lord treasurer, finding argument useless, told him that the king ' had ordered a thousand pounds for him, which he hoped he would receive till he could think what further to ask of his Majesty.' But this last offer ' was refused with the same steadfastness of mind as was the first, though as soon as the Lord Treasurer was gone he was forced to send to a friend to borrow a guinea ' (Cooke, Marvell, i. 11-13). In Thompson's version of the story Marvell in Danby's presence Culls for his servant and says to him, ' Pray, what had I for dinner yesterday ?' 'A shoulder of mutton.' 'And what do you allow me to-day ? ' 'The remainder hashed.' Then Marvell, turning to Danby, adds : 'And to-morrow, my lord, I shall have the sweet blade-bone broiled;' and Danby, seeing it useless to tempt a man of such Spartan habits, retires abashed (Thompson, Marvell, iii. 493). Dove gives a variation of Thompson's story, said to be derived ' from a pamphlet printed in Ireland a.d. 1754' (Life of Marvell, 1832. p. 36}. Cooke's story may be true, but the later auditions are obvious fictions, and the accounts of Marvell's personal encounter with Parker and of his supposed intimacy with Prince Rupert seem to be equally baseless (Thompson, iii. 475 ; Cooke, i. 10).

Of Marvell's relations with contemporary writers a few particulars can be collected.