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 London (by John Charlwood for the Widdow Broome), 1592. 5. 'Mydas, played before the Queenes Majestie upon Twelfe Day at night, by the Children of Pauls,' London (by Thomas Scarlet for I. B.), 1592. 6. 'Mother Bombie, as it was sundry times plaved by the Children of Pauls,' London (by Thomas Scarlet for Cuthbert Burby), 1594, 1598. 7. 'The Woman in the Moone, as it was presented before her Highness; by John Lyllie, Maister of Artes. Imprinted at London for William Jones, and are to be sold at the Signe of the Gun, neere Holburne Conduict,' 1597. 8. 'Love's Metamorphosis, a wittie and courtly Pastorall, written by Mr. John Lyllie, first play'd by the Children of Paules, and now by the Children of the Chappell. London, printed by William Wood, dwelling at the West end of Paules, at the Signe of Time,' 1601. Six of these pieces (Nos. 1-6) were collected by Edward Blount [q. v.] in 1632 as 'Six Courte Comedies. . . . Written by the only rare jewel of that time, the wittie, comicall, facetiously quiche and unparalleled John Lilly, Master of Arts' (by William Stansby for Edward Blount). A copy sold at the sole of Ludwig Tieck's books in Berlin in 1849 was said to contain Oliver Cromwell's autograph (Notes and Queries, 3rd ser. i. 46). The eight plays were edited by F. W. Fairholt in 1868.

Lyly has also been credited with two plays published anonymously. The first, 'The Warning for Faire Women,' 1599, has no pretensions at all to be assigned to Lyly. The second is 'The Maydes Metamorphosis, as it hath been aundrie times acted by the Children of Powles,' London, printed by Thomas Creede, for Richard Olive, dwelling in Long Lane, 1600. It is a pastoral play in rhymed verse, and the style is hardly compatible with Lyly's authorship. But the fairies' songs in act iii. resemble those in 'Endymion,' and the lyrics throughout are worthy of those in Lyly's plays. The theory that the piece was an early effort of John Day deserves attention. Mr. Fleay improbably assigns it to Daniel. The play was reprinted in Mr. A. H. Bullen's 'Collection of Old English Plays,' 1st ser. 1882, i. 99 et seq.

Lyly usually spelt his surname thus. The form Lilly is a common variant.

[Arber's edition of Euphues, 1858; Landmann's Euphuismus, GiBSaeti, 1881, his edition of Euphues, 1887. and his paper in the New Shakspere Society's Transactions, 1880-5, pt. ii. pp. 214-77; Huon of Bordeaux, edited by the present writer, 1883-8, pt. iv. pp. 785 sq. (Early English Text Soc.); Morley's English Writers, viii. 305 sq., ix. 197 sq.; Fairholt's edition of Lyly's Plays, 1858; Collier's Hist. of Dramatic Poetry; Jusierand's English Noval in the Time of Shakespeare; Fleay's Biographical Chronicle of the English Drama, s. v. Lilly; Wood's Athena Oxon. ed. Bliss, i. 676; Cooper's Athene Cantab. ii. 326.]

LYNAM, ROBERT (1796–1845), miscellaneous writer, son of Charles Lynam, spectacle-maker, of the parish of St. Alphage, London Wall, was born in London on 14 April 1796. He was admitted to Christ's Hospital in March 1806, passed thence as a Grecian in 1814 (, Hist. of Christ's Hospital, p. 307), graduated B.A. from Trinity College, Cambridge, in 1818, and proceeded M.A. in 1821. He was appointed assistant mathematical master at Christ's Hospital in 1818, and was promoted in 1820 to be fourth grammar master—a post which he resigned in 1832 for that of assistant chaplain and secretary to the Magdalene Hospital, having previously taken orders. He was St. Matthew's day preacher at Christ's Hospital in 1821 and 1835, and was subsequently curate and lecturer of Cripplegate Without until his death in Bridgewater Square, London, on 12 Oct. 1845. He left a widow and nine children. Lynam's portrait was engraved by Adlard, after Hervé.

Besides some sermons Lynam published: 1. ‘The History of England during the Reign of George III,’ London, 1825; short and perspicuous. 2. ‘The History of the Roman Emperors from Augustus to the Death of Marcus Antoninus,’ 2 vols. 8vo, London, 1850, with portrait; published after the author's death by the Rev. J. T. White, a master at Christ's Hospital; though based too exclusively on Tacitus and Suetonius, it is not without merit, but had the misfortune to appear almost simultaneously with Merivale's ‘Romans under the Empire,’ and never attracted the slightest attention. Lynam is chiefly remembered as an editor. He edited with a memoir, and revised 1. The fifteenth edition of the translation of Charles Rollin's ‘Ancient History,’ 8 vols. 1823. 2. ‘The Complete Works of Philip Skelton, rector of Fintona,’ 6 vols. 1824, dedicated to John Plumtre, dean of Gloucester. 3. ‘The Complete Works of William Paley, with Life and Extracts from his Correspondence,’ 4 vols. 8vo, 1825. 4. ‘The Works of Samuel Johnson,’ 6 vols. 1825. 5. The ‘Edinburgh Mirror’ (1779–80), with introductory preface and notices of the chief contributors [see, ‘The Man of Feeling’], London, 1826. 6. ‘The British Essayist, with Prefaces Biographical, Historical, and Critical, with Portraits,’ 30 vols. London, 12mo, 1827; a sound compilation, which, however, never succeeded in supplanting