Page:Dictionary of National Biography volume 33.djvu/194

 :: the English Liturgy by Lewis, dated 1723, once belonged to Edmund Calamy.
 * 1) ‘Historical Essay upon the Consecration of Churches,’ Lond. 1719, 8vo.
 * 2) ‘A Specimen of the Errors in the second volume of Collier's “Ecclesiastical History,” being a Vindication of Bishop Burnet's “History of the Reformation,”’ 1724, 8vo.
 * 3) ‘A Dissertation on the Antiquity and Use of Seals in England,’ Lond. 1736, 4to.
 * 4) ‘A brief Discovery of the Arts of the Popish Protestant Missioners in England, to pave the way for the restitution … of Popery,’ Lond. 1750, 8vo.
 * 5) ‘An Essay towards an account of Bishops suffragan in England’ printed in Nichols's ‘Bibliotheca Topographica Britannica,’ 1790, vol. vi.
 * 6) ‘Of the Books used in Churches and Monasteries here in England before the Reformation,’ printed in Gutch's ‘Collectanea Curiosa,’
 * 7) 165 (from Rawl. MS. in the Bodleian, C. 412).

Many of Lewis's tracts remain unprinted. Among Rawlinson's MSS. are: ‘Popish Cruelty exemplified in the persecution of the English Lollards from 1382 to 1507;’ and three tracts on the Eucharist.

A catalogue of Lewis's manuscripts sold by [q. v.] of Covent Garden, December 1749, is copied with the prices in Addit. MS. 28651, f. 46.

A portrait, engraved by G. White, is prefixed to the ‘History of Thanet,’ (2nd edit.); and a mezzotint print by Vertue to the edition of Wiclif's New Testament.



LEWIS, JOHN DELAWARE (1828–1884), miscellaneous writer, born in St. Petersburg in 1828, was only surviving son of John Delaware Lewis, a Russia merchant, by Emma, daughter of James Hamilton Clewlow, R.N. He was educated at Eton and Trinity College, Cambridge, graduated B.A. in 1850, and proceeded M.A. in 1853. While at Cambridge he published, under the pseudonym ‘John Smith of Smith Hall, gent.,’ a volume, ‘Sketches of Cantabs’ (London, 1849, 18mo), which had considerable success, and reached a third edition in 1858. Lewis was called to the bar at Lincoln's Inn in Michaelmas 1858, and went the south-eastern circuit. From 1868 to 1874 he represented Devonport as a liberal in the House of Commons, unsuccessfully contesting the same constituency in February 1874 and in 1880, and Oxford in March 1874. He was a J.P. for Devon and Hampshire, and a lieutenant in the Pembrokeshire artillery militia. He spent much time at Arcachon. He died at Westbury House, Petersfield, Hampshire, on 1 Aug. 1884.

Lewis married, on 6 Jan. 1868, Teresa, eldest daughter of Sir Jervoise Clarke-Jervoise, but left no issue. Lewis was a versatile scholar, who wrote as well in French as in English. Besides contributions to periodical literature, he published, among other works: At the time of his death he was engaged upon an edition of Seneca's works and an English-French dictionary. 
 * 1) ‘Across the Atlantic,’ London, 1850, 8vo.
 * 2) ‘Our College,’ London, 1857, 8vo.
 * 3) ‘Science and Revelation,’ 1871.
 * 4) ‘Hints for the Evidences of Spiritualism, by M.P.’ 1872, 1875.
 * 5) ‘Juvenalis Satiræ, with a literal English Prose Version and Notes,’ London, 1873, 8vo; 2nd edit. 1882, 2 vols. 8vo.
 * 6) A translation of Pliny's ‘Letters,’ London, 1879, 8vo.
 * 7) ‘Esprit des Grecs et des Romains,’ 1881.
 * 8) ‘De la Procédure criminelle en France et en Angleterre,’ 1882.
 * 9) ‘Causes Célèbres,’ Paris, 1883.

LEWIS, JOHN FREDERICK (1805–1876), painter of Italian, Spanish, and oriental subjects, was the eldest son of [q. v.] the engraver, and was born in Foley Street, London, in 1805, in the same house (it is said) as [q. v.], with whose family the Lewises were intimate. He received his first instruction from his father, and began to etch while still quite a boy. Some of his early etchings, principally after pictures by Dutch masters, are in the British Museum, but the first bent of his art was towards animals, which he used to study at the menagerie in Exeter 'Change. His father agreed that he should be a painter if he exhibited and sold a picture. This he did in 1820, his first exhibited picture in the British Institution being bought by George Garrard, A.R.A., the animal painter. In 1821 he exhibited at the Society of Painters in Oil and Water Colours (now the Royal Society of Painters in Water-colours) and at the Royal Academy, his contributions to the latter being ‘Puppies’ and ‘The Intruding Cur,’ which were followed in 1822 and 1823