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 Dublin. There his career was sufficiently distinguished, though exhibiting perhaps more brilliancy than solid achievement, and among unusually gifted contemporaries he took nearly the highest place as a debater in the college historical society. While at the university Le Fanu made his first appearance as an author in the pages of the then recently founded 'Dublin University Magazine.' Of this periodical he soon (1887) joined the staff, and maintained the closest connection with it, first as contributor, and afterwards (1869) as editor and proprietor, until within a year of his death. About 1837 he produced his two brilliant Irish ballads, 'Phaudhrig Croohore' and 'Shamus O'Brien.' The latter was recited with great success by Samuel Lover in the United States, and won a wide popularity. Its authorship was for a time erroneously attributed to the reciter {Dublin Univ. Mag. xxxvi. 109; Notes and Queries, 4th ser. iii. 60). In 1839 Le Fanu was called to the Irish bar, but made no serious attempt to practise, and soon devoted himself wholly to journalism. In the year of his admission to the bar he purchased 'The Warder.' a Dublin newspaper, soon afterwards secured possession of the 'Evening Packet.' and later became part proprietor of the 'Dublin Evening Mail.' He thereupon amalgamated the three papers, issuing the combined venture daily under the title of ' The Evening Mail.' with a weekly reprint, to which he attached the name of 'The Warder.' He proved himself a strenuous advocate of the conservative cause. In 1844 he married Susan, daughter of George Bennett, Q.C., and on her death in 1858 he withdrew altogether from society, where he had long been one of the most familiar and acceptable figures.

Le Fanu's career as a novelist belongs almost altogether to the period of his retirement. While still in college be had contributed to the 'Dublin University Magazine' the first of the 'Purcell Papers'—Irish stories purporting to be edited by the Rev. Francis Purcell of Drumcoolagh, and in 1845 and 1847 had made two sustained attempts at fiction in 'The Cock and Anchor.' a tale of old Dublin, and 'Torlogh O'Brien.' Both these works were published anonymously, and met with no great success, but after his wife's death Le Fanu turned once more to fiction, and in 1863 published 'The House by the Churchyard.' This work at once met with a cordial reception. 'Uncle Silas.' in many respects his most powerful and original work, confirmed his reputation in the following year, and between that date and his death, nine years later, he published twelve more volumes of fiction. It was his curious habit to write most of his stories in bed on scraps of paper and in pencil. He died at his residence, 18 Merrion Square South, Dublin, on 7 Feb. 1873. His last work, 'Willing to Die.' was completed only a few days before. He was buried in Mount Jerome cemetery. Le Fanu was a man of handsome presence and great charm of manner. As a journalist and politician he took an active part in the electoral contests in his university, and a good specimen of his humorous and satirical power may be found in a pamphlet called 'The Prelude.' an electioneering squib, written under the pseudonym of 'J. Figwood.' Of modern Irish novelists he stands next to Lever in popularity, and, if inferior to Lever in narrative vigour, is his superior in imaginative power. The supernatural had a powerful charm for him, probably deepened by the melancholy of his later life, and this trait gives to his novels an effect that recalls some characteristics of Hawthorne. In the ingenuity of his plots he rivals Wilkie Collins. The following is a list of his works: With the exception of Nos. 1 and 2 all were published in London. New editions of most of them were published in the lifetime of the author.
 * 1) 'The Cock and Anchor.' Dublin, 1845.
 * 2) 'Torlogh O'Brien.' Dublin, 1847.
 * 3) 'The House by the Churchyard.' 1863.
 * 4) 'Uncle Silas: a Tale of Bartram Haugh.' 1864.
 * 5) 'Wylder's Hand,' 1864.
 * 6) 'Guy Deverell,' 1865.
 * 7) 'All in the Dark.' 1866.
 * 8) 'The Tenants of Malory.' 1867.
 * 9) 'A Lost Name.' 1868.
 * 10) 'Haunted Lives.' 1868.
 * 11) 'The Wyvern Mystery.' 1869.
 * 12) 'Checkmate.' 1870.
 * 13) 'The Rose and the Key.' 1871.
 * 14) 'Chronicles of Golden Friars.' 1871.
 * 15) 'In a Glass Darkly.' 1872.
 * 16) 'Willing to Die.' 1875.
 * 17) 'The Purcell Papers.' with a memoir by Alfred Percival Graves, 1880.



LE FANU, PHILIP (fl. 1790), divine, son of William Le Fanu, by his wife Henriette Roboteau de Pugebaut, was born in Ireland about 1735. His ancestors were refugee Huguenots who fled from Caen in Normandy on the revocation of the edict of Nantes (, p. 450). He graduated M.A. at Trinity College, Dublin, in 1755, and took the degree of D.D. in 1776. He translated the Abbé Guenée's 'Lettres de certaines Juives à Monsieur Voltaire,' under the title 'Letters of certain Jews to Voltaire, containing an Apology for their People and for