Page:Dictionary of National Biography volume 31.djvu/94

 Messrs. Minton, Daniell, and others in the Potteries. Samuel Keys the younger excelled in modelling small figures; he left Derby in 1830, and went to the Potteries, where he carried on a small manufactory of his own, besides working for the leading manufacturers there.



KEYSE, THOMAS (1722–1800), still-life-painter, and proprietor of the Bermondsey Spa, born in 1722, and a self-taught artist, was a member of the Free Society of Artists, and exhibited with them from 1761 to 1764. He painted skilful imitations of still life, flowers or fruit. From 1765 to 1768 he was an occasional exhibitor at the Society of Artists, and twice sent pictures to the Royal Academy. In 1768 he obtained a premium from the Society of Arts for a new method of setting crayon drawings. About 1770 Keyse opened a tea-garden in Bermondsey, where a chalybeate spring had been found, which was known as the Bermondsey Spa. Here, among other attractions, Keyse kept a permanent exhibition of his own drawings. Obtaining a music license, he made the gardens a kind of Vauxhall, open in the evening during the summer months, and provided fireworks, including a set-piece of the siege of Gibraltar, constructed and designed by Keyse himself. Keyse died at his gardens 8 Feb. 1800, in his seventy-ninth year. The gardens remained open for about five years longer, and their memory is preserved by the Spa Road, Bermondsey. A portrait of Keyse, painted by S. Drummond, A.R.A., was engraved.  KEYSER, WILLIAM (1647–1698?), painter. [See .]

KETWORTH, THOMAS (1782–1852), divine and hebraist, son of Thomas Keyworth, a bookseller, of Nottingham, was born in that town in 1782. Going to London as a young man, he was converted from unitarianism by the preaching of Dr. Draper, and entered Cheshunt College to prepare himself for the congregational ministry. Called in the first instance to Sleaford, Lincolnshire, he was afterwards minister successively at Runcorn, Wantage, Faversham, and Nottingham. He also occupied for short periods the pulpits of several London chapels. From 1842 to December 1851 he was in charge of a congregation at Aston Tirrold in Berkshire. He retired at the close of 1851, and died at Cheltenham on 7 Nov. 1852.

Keyworth was distinguished for modesty and simplicity of character. He was an active advocate of a scheme for garden allotments to the poor, and while in London was an able promoter of missionary work. In addition to his hebraical knowledge, he was no mean scholar in general literature. His chief works are:
 * 1) ‘Principia Hebraica,’ London, 1817, 8vo (written in conjunction with David Jones).
 * 2) ‘A Daily Expositor of the New Testament,’ London, 1825, 8vo.
 * 3) ‘A Practical Exposition of the Revelation of St. John,’ 1828, 8vo.
 * 4) ‘A Pocket Expositor of the New Testament,’ 1834, 12mo; 2nd edit. 1835.



KIALLMARK or KILMARK, GEORGE (1781–1835), musical composer, born at King's Lynn in 1781, was the son of John Kiallmark, an officer in the Swedish navy, and of Margaret (or Marggrit, as it is written in the parish register) Meggitt, a Yorkshire heiress, who lived at Wakefield and was a descendant of Sir Joseph Banks. His parents' marriage took place in St. Nicholas's Chapel, Lynn, 4 Oct. 1775. Shortly after George's birth his father, who had run through his property, disappeared and soon died. Thereupon his widow married her butler, a man named Pottle, and George was adopted by his mother's family. He began his education under the care of a Dr. and Mrs. Gardiner (née Meggitt); but he showed at an early age a strong taste for music, and he was placed under a German professor for purposes of musical instruction from 1796 to 1798. For some time after 1798 Kiallmark maintained himself by teaching the violin and piano, and when he had accumulated sufficient funds, took further lessons from Barthelemon, Cobham, and Spagnoletti in violin-playing, and from Von Esch and (later) from Logier in composition. He held many important posts, was a member of all the principal concert and theatre orchestras, and leader of the music at Sadler's Wells. In 1803 he married Mary Carmichael, a cousin of the Countess of Rothes, and settled in Islington, London. Here he devoted himself to teaching the harp, violin, and piano, and soon acquired a large and lucrative connection. He resigned his public engagements, and devoted himself entirely to his pupils and to composition, entering into arrangements with Chappell and D'Almaine to supply them