Page:Dictionary of National Biography volume 28.djvu/159

 and carried it about as a trophy. His body was buried at Denton, Northamptonshire. A proposal to reinter it at Uffington does not seem to have been carried out.

Hudson married about 1630 Miss Pollard of Newnham Courtney, Oxfordshire. He lost by the rebellion the whole of his estates, and after his death his wife and children were supported by charity. His boldness, generosity, and almost fanatical loyalty are undoubted. Walker says he was a scholar and a plain and upright Christian. He wrote:
 * 1) 'The Divine Right of Government Natural and Politique, more particularly of Monarchie, the onely legitimate and Natural source of Politique Government,' which was printed in 4to, 1647, a portrait of Charles I, by P. Stent, being prefixed. The book was written in the Tower.
 * 2) 'An Account of King Charles I,' &c., 8vo, which was not published till 1731 (by Hearne).

 HUDSON, ROBERT (fl. 1600), poet, was probably a brother of (fl. 1610) [q. v.], and was, like him, one of the 'violaris,' or Chapel Royal musicians, of James VI. Hudson seems to have been a special friend of Alexander Montgomerie, author of the `Cherrie and the Slae,' who addresses him in a group of sonnets, appealing for his interest at court, and at length declaring himself sadly disappointed in him as capable of merely courtier's courtesy. Montgomerie, in the course of his appeal, denominates Hudson the 'only brother of the Sisters nyne,' and predicts for him a secure immortality through his 'Homer's style' and his 'Petrarks high invent.' Four sonnets by him alone survive. Of these one is commendatory of King James's 'Poems' (1584); another belauds the manuscript 'Triumphes of Petrarke' by William Fowler (printed in, Scotish Poetry, p. 463); the third is an epitaph on Sir Richard Maitland (, ii. 351); and a fourth is a commendatory sonnet on Sylvester's version of Du Bartas (, Chorus Vatum, i.411).

 HUDSON, ROBERT (1731–1815), composer, born in 1731, possessed a good tenor voice, and in his youth sang at concerts in the Ranelagh and Marylebone Gardens. At the age of twenty-four he was elected assistant organist to St. Mildred's, Bread Street, and in the following year was appointed 'vicar-choral' of St. Paul's. In 1758 he was created a Gentleman of the Chapel Royal, and in 1773 almoner and master of the children at St. Paul's. The latter post he held for twenty years. He was also for some time music-master at Christ's Hospital. In 1784 he took the degree of Mus.Bac. at Cambridge, from St. John's College. He died at Eton in December 1815, and was buried in St. Paul's Cathedral.

His compositions include a cathedral service, several chants and hymn tunes, and a collection of songs, published in 1762, under the title of 'The Myrtle.' The hymn tunehymn tune 'Llandaff' [sic] is assigned both to him and to his daughter [q. v.] He also set for five voices the lines commencing 'Go, happy soul,' from Dr. Child's monument at Windsor.

 HUDSON, THOMAS (fl. 1610), poet, was probably a native of the north of England. His name stands first in the list of 'violaris' in the service of James VI in 1567: 'Mekill [i.e. probably, big] Thomas Hudsone, [q. v.], James Hudsone, William Hudsone, and William Fullartoun their servand.' The Hudsons in all likelihood were brothers. All their names reappear in 'The Estait of the King's Hous' for 1584 and 1590, with particulars as to salary and liveries. Thomas Hudson was also installed master of the Chapel Royal 5 June 1586, his appointment being ratified by two acts of parliament dated respectively 1587 and 1592.

Hudson's chief work is 'The Historie of Judith in forme of a Poeme: penned in French by the noble poet, G. Salust, Lord of Bartas: Englished by Tho. Hudson,' Edinburgh, 1584. The work was probably suggested by the king, to whom Hudson dedicates it, and who supplied a commendatory sonnet. It runs fluently, and the number of verses is limited to that of the original text. Hudson's version was reissued in London in 1608, with the later editions of Joshua Sylvester's 'Du Bartas,' and again in 1613, alone. Drummond of Hawthornden much preferred Sylvester's rendering to Hudson's. Hudson is one of the contributors to 'England's Parnassus,' 1600, and Ritson and Irving are agreed in identifying him with the 'T. H.' who contributed a