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  driven from France during the persecution of the Albigenses. His father took refuge in Hesse when the emperor invaded the Palatinate, but died in his son's infancy. His wife placed the son under the care of Daniel Tossanus, a learned protestant divine, and sent him afterwards to the university of Marburg, where he took the degree of doctor of philosophy in 1618. Religious difficulties forced him to fly from Hesse to his mother's brother, Justus Baronius; but his uncle, himself a convert from protestantism, quarrelled with the nephew for refusing to follow him. Getsius, after a short stay in Holland, proceeded to London, and finally, at the end of 1619, to Cambridge. Here he remained for more than two years under the protection of Dr. John Preston, and took the degree of B.A. In 1623 he went to the Hague to solicit the help of the king of Bohemia. At the king's desire the university of Oxford granted to him and four more of his countrymen a pension of 18l. per annum. This was paid to him for four years, and enabled him to study for seven years at Exeter College, where he gave lessons in Hebrew and was permitted to take pupils. On 15 July 1628 he was incorporated B.A. of Oxford. In 1629, by the advice of Dr. Prideaux, he went with Robert Jago, an M.A. of Exeter College, to Dartmouth in Devonshire, where he ‘taught school and preached at Townstall, the mother church, for about seven years.’ In 1636 he was presented to the vicarage of Stoke Gabriel, about five miles from Dartmouth, where he continued his school, preparing gentlemen's sons for the university. One of his pupils, Valentine Greatrakes, out of gratitude for his care, gave him a small life annuity from certain rents in Cornworthy, near Stoke Gabriel. In October 1643 he preached by command before Prince Maurice, who had been sent by the king to reduce Dartmouth. He was afterwards arrested by the parliamentarians, and threatened with banishment. Finally, by the aid of Arthur Upton of Lupton, who had made his acquaintance at Exeter College, he was released with a severe reprimand for the obnoxious sermon.

He died on 24 Dec. 1672, and was buried in his church at Stoke Gabriel, leaving two sons, the youngest of whom, Walter, vicar of Brixham, Devonshire, supplied Wood with the facts of his father's life. Getsius wrote: 1. ‘Tears shed in the Behalf of his dear Mother the Church of England, and her sad Distractions,’ Oxford, 1658, 8vo. 2. ‘The Ship in Danger,’ sermon on Acts xxvii. 21, 22 (the discourse preached before Prince Maurice). 3. ‘Syllabus omnium Vocum Græcarum Nov. Test. una cum Etymologia Verborum et Nomenclatura omnium Troporum, Nominum propriorum et Vocabulorum Hebræorum, Syriacorum, Græcorum, Latinorum, aliorumque, quæ in N. T. occurrunt.’ 4. An abstract of the Bible in Latin heroic verse. 5. ‘Treatise about the Quinquarticular Controversy that was canvassed in the Council of Dort.’ Of these only the first seems to have been published; 3 and 4 were for the use of youths in schools.

 GHEERAERTS, GEERAERTS, or GARRARD, MARCUS, the elder (1510?–1590?), painter and engraver, was son and pupil of Egbert Gheeraerts, a painter, who was admitted as master painter in the guild of St. Luke at Bruges in 1516. According to the chronology compiled by Delbecq from the lost manuscript of Lucas de Heere [q. v.], Gheeraerts was born at Bruges in 1510, though a later date, about 1530, seems more probable. In 1558 he was admitted to the freedom of the painters' guild, and was second ‘vinder’ to the guild. His biographers extol his excellence in drawing, painting (especially landscape), miniature-painting, engraving, architecture, designs for glass-painters, and tapestry, &c. In 1558 he prepared the designs for the tomb of Charles the Bold, duke of Burgundy, copying the famous tomb of Mary of Burgundy in the church of Notre-Dame at Bruges, where both tombs now remain. In 1561 he was commissioned to complete the triptych of the ‘Passion’ left unfinished by Bernard van Orley at his death, which hangs still in the same church. In 1562 he engraved for the town the fine bird's-eye view of the town of Bruges, the original copper-plates of which are still preserved among the town archives at Bruges. In 1563 he painted a triptych of ‘The Descent from the Cross’ for the church of the Recollets at Bruges. Payments to Gheeraerts for his services occur in the town archives from 1557 to 1565. Gheeraerts was especially noted for his drawings of animals. In 1559 he drew a series of bears, which were afterwards etched and published by Marc de Bye. In 1566 he published at his own cost an edition of ‘Æsop's Fables,’ entitled ‘De warachtighe Fabulen der Dieren,’ with etchings by himself, poetry by Eduwaert de Dene, a dedication to Hubert Goltzius, and an introductory poem by Lucas de Heere. There are several editions of this work, and the plates were frequently copied. Gheeraerts's original drawings are in existence, and were sold in the Van der Helle sale at Paris in February 1868. He made designs for several