Page:Dictionary of National Biography volume 19.djvu/75

Fisher , in the house of his maternal grandfather, Sir Thomas Neale. He matriculated at Hart Hall, Oxford, in Michaelmas term, 1634; three years after he removed to Magdalene College, Cambridge. While at Cambridge he first developed 'a rambling head' and a turn for verse-making (, Athenæ, Bliss, iv. 377). He quitted the university very speedily, about 1638, and entered the army in the Netherlands. There he fought in the defence of Boduc, but, returning to England before long, enlisted as an ensign in the army raised (1639) by Charles I against the Scots, and during this campaign made acquaintance with the cavalier poet, Lovelace. Subsequently Fisher took service in Ireland, where he rose to the rank of captain, and, returning about 1644, was made, by Lord Chichester's influence, sergeant-major of a foot regiment in the royalist army. By Rupert's command he marched at the head of three hundred men to relieve York, and was present at Marston Moor, but, finding himself on the losing side, he deserted the royalist cause after the battle, and retired to London, where he lived as best he could by his pen.

Fisher's first poem, published in 1650, celebrating the parliamentary victory of Marston Moor, was entitled 'Marston Moor, Eboracense carmen; cum quibusdam miscellaneis opera studioque Pagani Piscatoris,. . .' London, 1650, 4to. He always wrote under the above sobriquet, or that of Fitzpaganus Fisher. By his turn for Latin verse and his adulatory arts, or, as Wood termed it, by his ability 'to shark money from those who delighted to see their names in print,' Fisher soon became the fashionable poet of his day. He was made poet-laureate, or in his own words after the Restoration, 'scribbler' to Oliver Cromwell, and his pen was busily employed in the service of his new master. He wrote not only Latin panegyrics and congratulatory odes on the Protector, dedicating his works to Bradshaw and the most important of the parliamentary magnates, but also composed a constant succession of elegies and epitaphs on the deaths of their generals. Thus the 'Irenodia Gratulatoria, sive illus. amplissimique Oliveri Cromwellii. . . Epinicion,' London, 1652, was dedicated to the president (Bradshaw) and the council of state, and concluded with odes on the funerals of Ludlow and Popham (London, 1652). To another, 'Veni vidi, vici, the Triumphs of the most Excellent and Illustrious Oliver Cromwell. . . set forth in a panegyric, written in Latin, and faithfully done into English verse by T. Manly' (London, 1652, 8vo), was added an elegy upon the death of Ireton, lord deputy of Ireland. The 'Inauguratio Oliveriana, with other poems' (Lond. 1654, 4to), was followed the next year by 'Oratio Anniversaria in die Inaugurations. . . Olivari. . .' (London, 1655, fol.), and again other panegyrics on the second anniversary of 'his highness's' inauguration (the 'Oratio . . .' and 'Paean Triumphalis,' both London, 1657). To the 'Paean' was added an epitaph on Admiral Blake, which, like most of Fisher's odes and elegies, was also published separately as a 'broadsheet' (see list in, ed. Bliss, Athenæ Oxon. iv. 377, &c.) He celebrated the victory of Dunkirk in an 'Epinicion vel elogium. . . Ludovici XIIII. . . pro nuperis victoriis in Flandria, praecipue pro desideratissima reductione Dunkirkæ captæ. . . sub confœderatis auspiciis Franco-Britannorum' (London ? 1655 ?). The book has a portrait of the French king in the beginning, and French verses in praise of the author at the end. Fisher afterwards presented Pepys with a copy of this work 'with his arms, and dedicated to me very handsome' (, Diary ed. 1849, i. 118, 121, 122). It was a usual habit of the poet's to put different dedications to such of his works as might court the favour of the rich and powerful. His 'vain, conceited humour' was so notorious that when he once attempted to recite a Latin elegy on Archbishop Ussher in Christ Church Hall, Oxford (17 April 1656), the undergraduates made such a tumult that he never attempted another recitation at the university. He printed 'what he had done' in the 'Mercurius Politicus' (1658), which called forth some satire doggerel from Samuel Woodford in 'Naps upon Parnassus' (1658) (see ). It was not till 1681 that the elegy on Ussher was separately issued, and then an epitaph on the Earl of Ossory was printed with it. With the return of the Stuarts the time-server turned his coat, and his verses were now as extravagant in praise of the king as they had been of the Protector. His most despicable performance was a pamphlet entitled 'The Speeches of Oliver Cromwell, Henry Ireton, and John Bradshaw, intended to have been spoken at their execution at Tyburne 30 June 1660, but for many weightie reasons omitted, published by Marchiament Needham and Pagan Fisher, servants, poets, and pamphleteers to his Infernal Highness,' 1660, 4to (Bodl.) Fisher's character was too notorious for him to gain favour by his palpable flatteries, and he lived poor and out of favour after the Restoration. He spent several years in the Fleet prison, whence he published two works on the monuments in the city churches, written before or just after the great fire, and therefore of