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Egan Egan exclusively in the possession of the editor,' 1824. It was certified as a fact that Thurtell seven hours before his execution had said: 'It is perhaps wrong in my situation, but I own I should like to read Pierce Egan's account of the great fight yesterday,' meaning one between Tom Spring and Lankan. Egan was present at the Old Bailey sessions on 30 Oct. 1824, at the trial of [q. v.] for forgery, and published a full report. In 1822 he had issued 'The Life and Extraordinary Adventures of S. D. Hayward, denominated the Modern Macheath,' a highwayman condemned to death and executed 25 Nov. 1821. In 1821 Egan wrote a humorous account of a trial in the court of common pleas, 23 April, entitled 'The Fancy Tog's Man versus Young Sadboy the Milling Quaker.' Mr. Gore was the tailor, Edmund Foster pleading to be a minor, the defendant. Egan furnished the 'slang phrases' to Francis Grose's 'Dictionary of the Vulgar Tongue,' 1823. On Sunday, 1 Feb. 1824, with motto of 'Our king and country,' he commenced editing 'Pierce Egan's Life in London and Sporting Guide,' a weekly newapaper, price 8½d., afterwards merging into 'Bell's Life in London.' His portrait, drawn by George Sharpless, engraved by Charles Turner, was published 'at Pierce Egan's tiny crib in Chancery Lane,' 1824. He published in the same year his more ambitious work, well illustrated by Theodore Lane, and dedicated to Edmund Kean, 'The Life of an Actor;' the hero, Peregrine Proteus, ending with a successful performance before royalty, after all the vicissitudes of provincial engagements and poverty. This work was popular, and, commencing in January 1824, was completed in 1825. In 1827 appeared Egan's 'Anecdotes, Original and Selected, of the Turf, the Chase, the Ring, and the Stage, embellished with thirteen coloured plates by Theodore Lane.' His 'Walks through Bath,' and his 'Trip to Ascot Races,' 1828, preceded the issue of his poem entitled 'The Show Folks,' embellished with nine designs on wood by the late Theodore Lane, engraved by John Thompson, 1831, accompanied by an interesting memoir of [q. v.], who had died 28 May 1828. This book was written by Egan to benefit Lane's widow and children. His 'Life of an Actor' had been planned to benefit Lane in 1824. In 1831 he published 'Matthews's Comic Annual; or. The Snuff-Box and the Leetel Bird: an original humourous poem by Pierce Egan.' His important work, 'Pierce Egan's Book of Sports and Mirror of Life,' was completed, after serial publication, in 1832, and is a worthy companion of Hone's 'Every Day Book,' and the best work of its class, fully illustrated on every variety of country sports and pastimes, invaluable for reference. Egan's next work was a serial dedicated by express permission to the young Queen Victoria, and completed on New Year's day 1838, entitled 'The Pilgrims of the Thames in Search of the National.' This undertaking introduced to a wider public the artistic merits of his son Pierce, who designed and etched the numerous illustrations of 'Greenwich Park,' 'Richardson's Show,' 'Hampton Races,' 'The Match Girl,' 'The River,' 'Windsor,' ' Vauxhall,' 'Gravesend,' 'Source of the Thames,' 'The Nore Light,' 'Lord Mayor's Show,' &c. Egan's later years were spent in peaceful retirement. The editor of 'Bell's Life in London' wrote: 'Pierce was, with all his oddities, a right-minded fellow, and was respected by all to whom he was known.' Among his numerous fugitive works were 'fancy ditties' of every description, mirthful and serious, but never offensive; also guide-books to Dublin, Liverpool, &c., for he knew every spot in Great Britain. 'The veteran historian of the ring and sporting journalist' died on Friday, 3 Aug. 1849, at his house in Pentonville, London, 'aged 77 years,' leaving a large family behind him, 'most of whom are able to take care of themselves' (Bell's Life),

 EGAN, PIERCE, the younger (1814–1880), novelist, son of [q. v.], the author of 'Life in London,' and associated with him in several of his works, was born in London in 1814, and early showed a taste for drawing. He was educated to follow art professionally, became a close frequenter of theatres, and made sketches during the performances, afterwards etching these designs, which were published as frontispieces to the plays in Davidge's 'Acting Drama.' His most ambitious work as an artist was a series of etchings to illustrate his father's serial, 'The Pilgrims of the Thames in Search of the National,' 1837. These were so successful and promising that he might have taken a fair position as an illustrator, and been well remunerated, but he preferred novel writing. His novels secured a ready sale; being first issued in weekly numbers, and afterwards in volumes. Several of them contained woodcuts and etchings by the author. Among these were 'Wat Tyler,' in 3 books, 1841, re-published in 1851, full of ghastly incidents