Page:Dictionary of National Biography volume 16.djvu/354

 ment virtually caused his own death by an apoplectic seizure, three weeks later, on the fifty-first anniversary of his marriage. He was buried at the Dean cemetery, Edinburgh, at the feet of David Scott, R.S.A. On the following Sunday his own music was played and sung in churches of all denominations in Edinburgh.

[Personal knowledge; obituary notices in the Scotsman, Edinburgh Courant, &c.; H. Robinson's Edinburgh Weekly Review; Era; printed books mentioned above; Ebsworth's manuscripts, some belonging to his daughter, Emilie Marguerite Cowell, others to his eldest surviving son, the writer of this article.]  EBSWORTH, MARY EMMA (1794–1881), dramatist, daughter of Robert Fairbrother, member of the Glovers' Company, and in later years a pantomimist and fencing-master, was born in London on 2 Sept. 1794. The father was an affectionate friend of Richard Brinsley Sheridan, and though he had lost several thousand pounds by him would never permit one word to be spoken in his disparagement. He was also the schoolmate and lifelong friend of Mrs. Jordan; great efforts were made to induce him to surrender her letters, many from the Duke of Clarence; but he indignantly refused any bribe, and himself destroyed all his papers, lest his descendants might be tempted. Under the avowed signature of ‘Sheridonicus’ he wrote some papers in ‘Thalia's Tablet, or Melpomene's Memorandum Book,’ of which No. 1 was published on Saturday, 8 Dec. 1821. Fairbrother married Mary Bailey, who had been brought up in a nunnery at St. Omer. One of their sons, Samuel Glover Fairbrother, became a well-known theatrical publisher; another son, Benjamin Smith Fairbrother, who died 28 Aug. 1878, aged 76, was prompter, stage-manager, and treasurer in succession at the chief theatres in London.

French was so habitually spoken and read by Mrs. Fairbrother in the early days of her married life that her daughter, Mary Emma, turned to translating books for the publishers, one of these being a romance of ‘Masaniello.’ On 22 June 1817 she was married to Joseph Ebsworth [q. v.], and lived at 3 Gray's Walk, Lambeth, where five of their ten children were born, the eldest being Emilie Marguerite, born in 1818, afterwards wife of Samuel H. Cowell, comedian [q. v.] Before December 1826 she went to Edinburgh. She was closely associated in dramatic composition and translations with her husband; but several of her independent works were published in John Cumberland's acting drama: ‘Payable at Sight; or the Chaste Salute,’ acted at the Surrey Theatre, &c.; ‘The Two Brothers of Pisa,’ with music by T. Hughes, at the Royal Coburg, printed 1828; ‘Ass's Skin;’ and, among many others, perhaps her best work, often acted, ‘The Sculptor of Florence.’ She was of a most retiring and unselfish nature, loving a private life with the constant care of her children and of her parents, who joined her in Edinburgh. Mrs. Ebsworth survived her husband thirteen years: all but three of her children died before her. She returned to London in 1879, and died at Walworth 13 Oct. 1881; she was buried on the 19th at Norwood cemetery.

[Athenæum and other obituary notices; family records and memoranda.]  ECCARDT or ECKHARDT, JOHN GILES (d. 1779), portrait-painter, was a native of Germany, and came to England about 1740, as pupil and assistant to Jean Baptiste Vanloo, one of the portrait-painters then most in vogue. He subsequently succeeded to Vanloo's practice and his house in Covent Garden. He was patronised by Horace Walpole, who employed him to paint or copy portraits of the friends who formed the Strawberry Hill circle, including Walpole himself. Some of them, such as Bentley, Gray, and Montagu, Eccardt painted to please his patron in attitudes taken from the ‘Centum Icones’ of Vandyck. Seven of these were engraved by W. Greatbatch for P. Cunningham's edition of ‘Walpole's Correspondence’ (9 vols. 1880). They were dispersed at the sale of the Strawberry Hill collection. In July 1746 Walpole addressed a short poem to Eccardt entitled ‘The Beauties,’ and founded on Addison's epistle to Kneller; this was published in September 1746, though Walpole asserts that he was hurt at the lines getting into print. Among other portraits painted by Eccardt were those of Dr. Conyers Middleton [q. v.], purchased in 1881 for the National Portrait Gallery, which was engraved by Ravenet, as a frontispiece to Middleton's works by Vertue, and also in mezzotint by Faber; Captain Barnard, at Wilton House; two of Mrs. Woffington, one engraved in mezzotint by Faber, another in line by Pearson; and Mr. Charles Leviez, a dancing-master, engraved in mezzotint by McArdell. A portrait of Lady Maria Churchill by Eccardt was sold at Christie's in the Hanbury-Williams sale in March 1888. His portraits are carefully executed, in a manner studied and copied from Vanloo, but do not show any originality. Eccardt married the daughter of Mr. Duhamel, a watchmaker in Henrietta Street, Covent Garden, with whom he at one