Page:Dictionary of National Biography volume 12.djvu/444

 77, ii. 731; Hist. Acc. of My own Life, 2nd ed. 1830, i. 132; Wood's Fasti, 1692, ii. 752; Birch's Life of Tillotson, 2nd ed. 1753, pp. 271, 363; Palmer's Nonconf. Mem. 1803, iii. 178 (portrait); Davids' s Annals of Evang. Nonconf. in Essex, 1863, pp. 474, 602; Browne's Hist. Cong. Norf. and Suff. 1877, p. 518; information from the Master of Emmanuel.]

 CRADOCK, WALTER (1606?–1659), puritan divine, was born of a gentleman's family at Trevela, in the parish of Llangwmucha, Monmouthshire, where, from his ancestors, he derived an estate of 60l. a year. He was educated at Oxford, and became curate first at Peterston-upon-Ely, Glamorganshire, and afterwards to William Erbury, vicar of St. Mary's, Cardiff. In consequence, however, of his puritanical opinions, he was deprived of his curacy by the Bishop of Llandaff, who described him as ‘a bold, ignorant young fellow.’ He then went to Wrexham, where he officiated as curate for nearly a year. Afterwards he appears to have resided at Llanvair Waterdine, Herefordshire, under the patronage of Sir Robert Harley of Brampton Bryan. Thence he made excursions into the neighbouring counties, establishing in some of them settled congregations. Subsequently he succeeded the Rev. William Wroth as pastor of the congregational church at Llanvaches, Monmouthshire, and about 1646 he was appointed preacher at Allhallows-the-Great, London. He was one of the commissioners or triers appointed on 20 March 1653–4 for the approbation of public preachers. He died at Trevela on 24 Dec. 1659, and was buried in the chancel of the church of Llangwmucha.

He was the author of: 1. ‘The Saints Fulnesse of Joy in their fellowship with God,’ a sermon preached before the House of Commons ‘in Margarets Westminster,’ 21 July 1646, being the day appointed for thanks-giving for the surrender of Oxford, London, 1646, 4to. 2. ‘Gospel-Libertie,’ a collection of twelve sermons, Lond. 1648, 4to. 3. ‘Divine Drops distilled from the Fountain of Holy Scriptures,’ Lond. 1650, 4to. 4. ‘Gospel-Holinesse, or, the saving sight of God,’ Lond. 1651, 4to.

His collected ‘Works’ were published at Chester, 1800, 8vo, by the Rev. T. Charles of Bala and the Rev. P. Oliver of Chester.

[Life prefixed to Works; Williams's Eminent Welshmen; Wood's Athenæ Oxon. (Bliss), iii. 360, 878, Fasti, ii. 124; Hanbury's Memorials, iii. 422; Cat. of Printed Books in Brit. Mus.; Rees's Nonconformity in Wales, 2nd ed. p. 46.]  CRADOCK, ZACHARY (1633–1695), provost of Eton, was brother of Samuel Cradock [q. v.] His father was settled in Rutlandshire. He was educated at Emanuel, and Queens' College, Cambridge, and elected fellow of the latter 2 Aug. 1654. In 1656 Ralph Cudworth recommended him to secretary Thurloe as resident chaplain at Lisbon, and he held the post for several years (, Papers v. 522; Cal. State Papers, 1657, p. 466). He became canon of Chichester 11 Feb. 1669–70, and fellow of Eton College in December 1671. He was also chaplain in ordinary to Charles II. On 24 Feb. 1680–1 he was elected provost of Eton, in succession to Richard Allestree [q. v.], and in opposition to Edmund Waller the poet, who, according to Wood, ‘had tugged hard for it.’ In June 1695 it was reported that the deanery of Lincoln was offered him. He died in September 1695, and was buried in Eton college chapel. He was very celebrated as a preacher. Evelyn the diarist was acquainted with him and frequently visited him at Eton. A sermon by him was preached before the king, 10 Feb. 1677–8, was published in 1678, and went through five editions before 1695. It was reissued in 1740 and in 1742. Another sermon was issued posthumously in 1706.

[Wood's Athenæ Oxon. (Bliss), iii. 1272; Harwood's Alumni Etonenses, 29; Evelyn's Diary, ii. 353, 355, iii. 19; Luttrell's Relation, i. 68, iii. 489, 536, 538.]  CRAFT, WILLIAM H. (d. 1805?), enamel-painter, a prolific artist, was employed at the Battersea enamel works. He was probably a relation, perhaps a son, of Thomas Craft, who was employed at the porcelain works at Bow, and executed the bowl now in the British Museum, to which he affixed an account of its production, rendering it one of the few pieces of Bow china that have been authenticated. William Craft exhibited numerous enamels at the Royal Academy in the years 1774–1795. They were mostly decorative subjects, but there were some portraits, including one of Major André. Enamels by him on copper signed ‘W. H. Craft’ are sometimes met with, but are not common. Lady Charlotte Schreiber notes some vases dated 1787–8, and snuff-boxes with heads of Nelson and others; also a memorial piece of Britannia between Howe, Nelson, Duncan, and St. Vincent. In 1862, at the Archæological Institute, an enamel on gold by Craft was exhibited by Mr. J. P. Fischer, and a large enamel on copper, representing a rural scene, by Mr. Wilson; the latter is now in the possession of Mr. Octavius Morgan, F.S.A. A portrait of Sir William Hamilton, dated 1802, is in the possession of Mr. A. W. Franks, F.S.A.;