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 ,’ which, however, does not seem to have appeared. On the accession of James to the crown, Copley was concerned in the plot for placing Lady Arabella Stuart on the throne. (A proclamation for his apprehension in 1603 is in the Brit. Mus.) He and the other conspirators were tried and condemned to death (see State Trials), but Copley was afterwards pardoned (pardon dated 18 Aug. 1604), having made a confession relating the entire history of the plot, which is printed in extenso in the appendix to vol. iv. of Tierney's edition of Dodd's ‘Church History.’ We afterwards find him in 1606 (1607?) a guest, from January to April, in the English college at Rome, after which he disappears from view.



COPLEY, GODFREY (d. 1709), founder of the Copley medal, was son of Sir Godfrey Copley of Sprotborough, Yorkshire, who was made a baronet 17 June 1661, and was M.P. for Aldborough in 1678 and 1681. Copley became second baronet on his father's death about 1684. Of his early life nothing is known. He was elected M.P. for Thirsk in every parliament between 1695 and his death. He took no active part in the debates, but in 1697 resisted the attempt to convict Sir John Fenwick of treason on the evidence of one witness; was a commissioner of public accounts in 1701; and in April 1704 became controller of the accounts of the army. He was elected a fellow of the Royal Society in 1691, and displayed great interest in its proceedings; aided his friend, Sir Hans Sloane, in forming his scientific collections, and himself brought together a valuable collection of prints and mathematical instruments. He died at his London house in Red Lion Square ‘of a quinsey,’ and was buried at Sprotborough. He married, first, Catherine, daughter of John Purcell of Nantriba, Montgomeryshire; and secondly, in 1700, Gertrude, daughter of Sir John Carew of Antony, Cornwall. The latter survived him, and remarried in 1716 Sir Coppleston Warwick Bampfield. Copley left an only daughter, Catherine, who became the wife of Joseph Moyle, in favour of whose descendants the Copley baronetcy was revived in 1778. The Moyles assumed the name of Copley in 1768. Copley's portrait by Sir Godfrey Kneller was engraved in mezzotint in 1692.

By his will, dated 14 Oct. 1704, and proved 11 April 1709, Copley bequeathed to Sir Hans Sloane and Abraham Hill ‘one hundred pounds in trust for the Royal Society of London for improving natural knowledge, to be laid out in experiments or otherwise for the benefit thereof as they shall direct and appoint.’ No award was made till 1731, when in that and the following year Stephen Gray received the prize for new electrical experiments; J. T. Desaguliers was the next recipient in 1734. On 10 Nov. 1736 the Royal Society resolved to convert the bequest into a gold medal, to be awarded annually. J. T. Desaguliers was the first winner of the Copley medal in 1736, and it has been awarded annually since that date.



COPLEY, JOHN SINGLETON, the elder (1737–1815), portrait-painter, born at Boston, Massachusetts, 3 July 1737, was the son of Richard Copley, a native of the county of Limerick, and Mary Singleton, daughter of John Singleton of Quinville Abbey, county Clare. Both families were of English origin, the Copleys a Yorkshire, the Singletons an old Lancashire family, who had settled in Ireland in 1661. Richard and Mary Copley emigrated in 1736, immediately after their marriage, to Boston, where the former died in the following year, leaving only one child, the future artist. Ten years afterwards, 22 May 1747, his widow married Mr. Peter Pelham of Boston, who died in 1751, leaving one son, Henry Pelham, who also became an artist, and attained some eminence in England as a miniature painter, but ultimately settled down in Ireland as the manager of Lord Lansdowne's estates there. The elder Pelham was a man of superior education, and esteemed as a portrait-painter and engraver. He was, according to Whitmore, an American authority, ‘the founder of these arts in New England.’ It was probably due to his influence that Copley showed in later life that he had been carefully educated, and had early become familiar with the best English literature. His bias for art, developed in early boyhood, was fostered and directed by his stepfather, who taught him to engrave as well as to paint. In both arts he had early made considerable progress, for portraits of undoubted merit, executed by him when he was fifteen or sixteen, still exist. The engraving of one of these, a likeness of the Rev. William Welsteed of Boston, bears the date 1753, with the inscription, ‘J. S. Copley pinxit et fecit.’ By 1755 his talent was so far