Page:Dictionary of National Biography volume 09.djvu/328

 full account of this is preserved in the ''MSS. of the Friends of East Kent''). About the middle of 1655 Caton made an attempt to plant his doctrines in France, but went no further than Calais on account of the difficulty he found in preaching through an interpreter, and returned to England without delay. After a preaching tour, which lasted some months, he went to Holland, hoping to convert the Dutch, though he was as ignorant of their language as he was of French. At Flushing and Middelburg he found English congregations, and was roughly handled at both places for interrupting their services. At the end of 1655 he was again in England. He next made an attempt to promulgate quakerism in Scotland, and was the messenger from the Friends in England to General Monck. Early in 1656 Caton was imprisoned for a short time at Congleton. Towards the end of this year he returned to Holland, and, after some adventures, determined to settle in Amsterdam, where there was a small quaker community. He spent some time between England and Holland. In a letter preserved in the ‘Swarthmore MSS.’ he gives a brief interesting account of the ceremonies attending the proclamation of Charles II in 1660. At the end of 1660 he had an interview with the ‘prince palatine’ at Heidelberg, to plead for liberty of conscience. About 1662 he married Annekin Derrix or Derricks, a Dutch quakeress. On a later journey to Holland he was forced to take shelter in Yarmouth Roads, where he landed, and was imprisoned for nearly five months for refusing the oath of allegiance. His letters give a graphic account both of the storm and of his severe treatment in prison. Little more is accurately known of his life, except that he returned to Holland. His last known letter is dated 8th month 1665 (O.S.), and Barclay, in his reprint of Caton's ‘Journal,’ states that there is reason to believe that he died towards the end of 1665. Caton stands out in marked contrast to most of the early quakers, for though an enthusiast he was far from being a fanatic. He wrote largely, both in English and Dutch, and his style was more simple and pointed than that of most of the seventeenth-century Friends. In England, Holland, and Germany his works were for more than a century very highly esteemed, and his ‘Journal,’ a somewhat wordy and tedious work, is still a popular book among the Friends.

His principal works were: 1. ‘A True Declaration of the Bloody Proceedings of the Men of Maidstone,’ 1655. 2. ‘The Moderate Enquirer resolved … by way of Conference concerning the condemned People commonly called Quakers,’ &c., 1659 (translated into Dutch as ‘Den matelijcken Ondersoeker voldaen’ in 1669). 3. ‘Truth's Character of Professors …’ 1660. 4. ‘An Epistle to King Charles II sent from Amsterdam in Holland, the 28 of the 10 month, 1660.’ 5. ‘William Caton's Salutation and Advice unto God's Elect,’ 1660. 6. ‘An Abridgement; or a Compendious Commemoration of the Remarkable Chronologies which are contained in that famous Ecclesiastical History of Eusebius Pamphilus,’ 1661 (reprinted as ‘An Abridgement of Eusebius Pamphilius's Ecclesiastical History’). 7. ‘The Testimony of a Cloud of Witnesses,’ &c., 1662. 8. ‘Two General Epistles given forth in Yarmouth Common Gaol,’ 1663. 9. ‘A Journal of the Life of … Will. Caton, written by his own hand’ (edited by George Fox), 1689. Besides the above Caton wrote a large number of small books and tracts in High and Low Dutch, which have never been translated; the most important is ‘Eine Beschirmung d'un schuldigen,’ 1664.  CATTERMOLE, GEORGE (1800–1868), water-colour painter, born at Dickleborough, near Diss, Norfolk, on 8 Aug. 1800, was youngest child of a large family. His mother died when he was two, and his education was conducted by his father, of independent means. At the age of fourteen, if not before, he was placed with John Britton [q. v.], the antiquary. His brother Richard was at that time, or soon after, employed to draw for Britton's ‘Cathedral Antiquities of England,’ and George also executed drawings for that work. In 1819 he commenced to exhibit at the Royal Academy. In that year, and in 1821, he sent views of Peterborough Cathedral, in 1826 ‘King Henry discovering the relics of King Arthur in Glastonbury Abbey,’ a ‘View near Salisbury,’ and ‘A Lighthouse ——;’ and in 1827 ‘Trial of Queen Catherine,’ his sixth and last contribution to the exhibitions of the Academy. He also during this period (1819–27) exhibited two works at the British Institution. In 1822 he was elected an associate exhibitor of the Society (now the Royal Society) of Painters in Water Colours, and in 1833 he became a full member. It was mainly by his drawings exhibited at the