Page:Dictionary of National Biography volume 06.djvu/470

 Knight, 2 vols.; C. D. Yonge's Life and Administration of Robert, second Lord Liverpool, 3 vols.; Report of the Speeches at the Edinburgh dinner, 5 April 1825; A. G. Stapleton's Political Life of Canning, i. 296, 377-383, iii. 348; Roebuck's History of the Whig Ministry of 1830, 2 vols., was largely inspired by Brougham, and for that and other reasons must not be implicitly trusted; Papers of J. Wilson Croker, ed. Jenings, 3 vols.; Correspondence of Earl Grey and William IV, ed. Henry Earl Grey, 2 vols.; Lord Hatherton's Memoir and Correspondence relating to June and July 1834; the Greville Memoirs, ed, H. Reeve, 1st and 2nd ser.; W. M. Torrens's Memoir of Lord Melbourne, 2 vols.; Edinburgh Review, xlvi. 225, xlvii. 35, xlviii. 34, cxxv. 546, cxxix. 583, cxxxiv. 291; Quarterly Review, xlv. 281, cxxvi. 91; Times, 11 May 1868; Law Magazine and Law Review, August 1868, new series, l. 177; Horace Retournay's Lord Brougham et le centenaire. Of the many squibs written on Brougham the most famous is T. L. Peacock's description of him in Crotchet Castle, where he figures as 'the learned friend.'] 

BROUGHAM, JOHN (1814–1880), actor and dramatist, was born in Dublin on 9 May 1814, and, after having for some time attended Trinity College, began life as a student of surgery, and for several months walked the Peter Street Hospital; but an uncle from whom he had prospects falling into adversity, he was thrown upon his own resources, and thereupon went to London. A chance encounter with an old acquaintance led to his engagement at the Tottenham Street Theatre (a house long afterwards known as the Prince of Wales's), and there, in July 1830, acting six characters in the old play of 'Tom and Jerry,' he made his first appearance on the public stage. In 1831 he was a member of the company organised by Madame Vestris for the Olympic Theatre. His first play was written at this time, and was a burlesque, prepared for William Evans Burton, who was then acting at the Pavilion Theatre. When Madame Vestris removed from the Olympic to Covent Garden, Brougham followed her thither, and there remained as long as she and Charles Mathews were at the head of the theatre, and it was while there that he wrote 'London Assurance' in conjunction with Dion Boucicault. There has been much discussion about the authorship of this popular piece. Brougham stated in 1868 that he brought an action against Boucicault, whose legal adviser suggested the payment of half the purchase-money in preference to proceeding with the case. In 1840 he became manager of the Lyceum Theatre, which he conducted during summer seasons, and for which he wrote 'Life in the Clouds,' 'Love's Livery,' 'Enthusiasm,' 'Tom Thumb the Second,' and, in connection with Mark Lemon, 'The Demon Gift.'

Leaving England he arrived in America in October 1842, and opened at the Park Theatre, New York, as O'Callaghan in the farce 'His Last Legs.' A little later he was in the employment of W. E. Burton in New York, and wrote for him 'Bunsby's Wedding,' 'The Confidence Man,' 'Don Cæsar de Bassoon,' 'Vanity Fair,' and other pieces. Still later he managed Niblo's Garden, producing there his fairy tale called 'Home,' and the play of 'Ambrose Germain.' He opened a new theatre in Broadway, near the south-west corner of Broome Street, called Brougham's Lyceum, 15 Oct. 1850, and while there he wrote 'The World's Fair,' 'Faustus,' 'The Spirit of Air,' a dramatisation of 'David Copperfield,' and a new version of 'The Actress of Padua.' The Lyceum was at first a success, but the demolition of the building next to it made it appear to be unsafe, and the business gradually declined, leaving him burdened with debts, all of which, however, he subsequently paid. His next speculation was at the Bowery Theatre, of which he became lessee on 7 July 1856, and produced 'King John' with superb scenery and a fine company, but this not proving to be to the taste of his audiences, he wrote and brought out a series of sensational dramas, among which were 'The Pirates of the Mississippi,' 'Tom and Jerry in America,' and 'The Miller of New Jersey.' In September 1860 he returned to London, where he remained five years. While playing at the Lyceum he adapted from the French, for Charles A. Fechter, 'The Duke's Motto' and 'Bel Demonio,' and wrote for Miss Louisa Herbert dramatic versions of 'Lady Audley's Secret' and 'Only a Clod.' He also wrote the words of three operas, 'Blanche de Nevers,' 'The Demon Lovers,' and 'The Bride of Venice.' His reappearance in America took place on 10 Oct. 1865 at the Winter Garden Theatre, and he never afterwards left America. He opened Brougham's Theatre on 25 Jan. 1869, with a comedy by himself, called 'Better Late than Never,' but this theatre was taken out of his hands by James Fisk, junior, under circumstances which caused much sympathy on his behalf. On 4 April a banquet in his honour was given at the Astor House, and on 18 May he received a farewell benefit. The attempt to establish Brougham's Theatre was his final effort in management. After that time he was connected with various stock companies, but chiefly with Daly's Theatre and with Wallack's. In 1852 he edited a bright comic paper in New York, called 'The Lantern,' and he published two collections of his 