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 made a member of the privy council, chancellor of the exchequer, and commissioner of revenue in Ireland. He was also in the same year elected speaker of the House of Commons there. Through his connections, Boyle exercised extensive political influence, and was parliamentary leader of the whig party in Ireland. In 1753 Boyle acquired high popularity by opposing the government proposal for appropriating a surplus in the Irish exchequer. In commemoration of the parliamentary movements in this affair, medals were struck containing portraits of Boyle as speaker of the House of Commons. For having opposed the government, Boyle and some of his associates were dismissed from offices which they held under the crown. After negotiations with government, Boyle, in 1756, resigned the speakership, and was granted an annual pension of two thousand pounds for thirty-one years, with the titles of Baron of Castlemartyr, Viscount Boyle of Bandon, and Earl of Shannon. He sat for many years in the House of Peers in Ireland, and frequently acted as lord justice of that kingdom. Boyle died at Dublin of gout in his head, on 27 Sept. 1764, in the 82nd year of his age. Portraits of Henry Boyle were engraved in mezzotinto by John Brooks.



BOYLE, JOHN, fifth, fifth and second  (1707–1762), was born on 2 Jan. 1707, and was the only son of , fourth earl of Orrery [q. v.], whom he succeeded as fifth earl in 1731. Like his father, he was educated at Christ Church. He took some part in parliamentary debates, chiefly in opposition to Walpole. On the death, in 1753, of his kinsman,, the Earl of Cork and Burlington [q. v.], he succeeded him as fifth earl of Cork, thus uniting the Orrery peerage to the older Cork peerage. His father, from some grudge, left his library to Christ Church, specially assigning as his reason his son's want of taste for literature. According to Johnson, the real reason was that the son would not allow his wife to associate with the father's mistress. The passage in the will seems to have stimulated the son to endeavour to disprove the charge, and he has succeeded in making his name remembered as the friend first of Swift and Pope, and afterwards of Johnson. His 'Remarks on Swift,' published in November 1751, attracted much attention as the first attempt at an account of Swift, and 7,500 copies appear to have been sold within a month. But neither Lord Orrery's ability, nor his acquaintance with Swift, was such as to give much value to his 'Remarks.' The acquaintance had begun about 1731 (apparently from an application by Swift on behalf of Mrs. Barber for leave to dedicate her poems to Orrery, although Swift had previously seen a good deal of his father), when Swift was already sixty-four years old, and their meetings, during the few succeeding years before Swift became decrepit, were not very frequent. If we are to judge, however, from the expressions used by Swift, both in his letters to Orrery and in correspondence with others, the friendship seems to have been cordial so far as it went. In one of the earliest letters he hopes Orrery will be 'a great example, restorer, and patron of virtue, learning, and wit;' and he writes to Pope that, next to Pope himself, he loves 'no man so well.' Pope, too, writes of Orrery to Swift as one 'whose praises are that precious ointment Solomon speaks of.' A bond of sympathy existed between Swift and Orrery in a common hatred of Walpole's government. It was to Orrery's hand that Swift entrusted the manuscript of his 'Four Last Years of the Queen' for delivery to Dr. King of Oxford; and Orrery was the go-between employed by Pope to get his letters from Swift. In his will Swift leaves to Orrery a portrait and some silver plate. On the other hand, there are traditional stories of contemptuous expressions used by Swift of Orrery, and these, if repeated to him, may have inspired in Orrery that dislike which made his 'Remarks' so full of rancour and grudging criticism. The 'Remarks on the Life and Writings of Jonathan Swift,' published in 1751, are given in a series of letters to his son and successor, Hamilton Boyle (1730-1764), then an undergraduate at Christ Church, and are written in a stilted and affected style. The malice which he showed made the book the subject of a bitter attack (1754) by Dr. [q. v.], who did something to clear Swift from the aspersions cast on him by Orrery. But the grudging praise and feeble estimate of Swift's genius shown in the 'Remarks' are mainly due to the poverty of Orrery's own mind. He was filled with literary aspirations, and, as Berkeley said of him, 'would have been a man of genius had he known how to set about it.' But he had no real capacity for apprehending either the range of Swift's intellect or the meaning of his humour. Orrery was afterwards one of those who attempted to patronise