Page:Dictionary of National Biography. Sup. Vol I (1901).djvu/394

 a medallion of Bucknill thereon, in Northernhay, near Exeter castle. The memorial was unveiled by H.R.H. the Duke of Cambridge, commander-in-chief, in 1895.

His works are: He also helped to found ‘Brain: a Journal of Neurology’ in 1878.
 * 1) ‘Unsoundness of Mind in relation to Criminal Acts,’ an essay to which the first Sugden prize was awarded by the King and Queen's College of Physicians in Ireland, London, 8vo, 1854; 2nd edit. 1857.
 * 2) ‘A Manual of Psychological Medicine,’ London, 1858, 8vo; 2nd edit. 1862; 3rd edit. 1874; 4th edit. 1879, written conjointly with  [q. v.] Bucknill wrote the chapters dealing with diagnosis, pathology, and treatment; Tuke the sections on lunacy law, classification, and causation. The book was for many years the standard text-book on psychological medicine.
 * 3) ‘The Psychology of Shakespeare,’ London, 1859, 8vo; 2nd edit. revised, including ‘The Mad Folk of Shakespeare,’ ‘Psychological Essays,’ &c., London, 1867, 8vo; the essays deal with Macbeth, Hamlet, Ophelia, King Lear, Timon of Athens, Constance, Jacques, Malvolio, Christopher Sly, and the ‘Comedy of Errors.’
 * 4) ‘The Medical Knowledge of Shakespeare,’ London, 1860, 8vo, a companion volume to Lord Campbell's work on ‘Shakespeare's Legal Acquirements.’
 * 5) ‘Habitual Drunkenness and Insane Drunkards,’ London, 8vo, 1878. He edited ‘The Asylum Journal of Mental Science’ from 1853 to 1855; he then transformed it into the ‘Journal of Mental Science,’ which he continued to edit until 1862.



BUFTON, ELEANOR (afterwards ) (1840?–1893), actress, was born in Wales about 1840 and made her first professional appearance at Edinburgh as chambermaid in 'The Clandestine Marriage.' In 1854 she played at the St. James's Vanette in 'Honour before Titles.' Joining the Princess's company under Charles Kean, she was on 15 Oct. 1856 Hermia in 'A Midsummer Night's Dream.' On 1 July 1857 she was Ferdinand in the 'Tempest,' a curious experiment, said to have been made for the first time. She was also Regan in 'Lear.' From the Princess's she passed to the Strand, then and long afterwards under the management of Mrs. Swanborough, whose son Arthur she married. There she played Miss Wharton in Craven's 'Post-boy' on 31 Oct. 1860; original parts in 'Christmas Boxes' by Edwards and Mayhew, 'Observation and Flirtation,' the 'Old Story,' the 'Idle ’Prentice,' and many characters in burlesque. On 4 April 1866, at the St. James's, she was Hero in 'Much Ado about Nothing.' She was also seen as Julia in the 'Rivals,' Sophia in the 'Road to Ruin,' Mrs. Ferment in the 'School of Reform,' &c. At the Strand, on 5 Feb. 1870, she was Cicely Homespun in the 'Heir at Law.' On the opening of the Court on 25 Jan. 1871 she was the first Miss Flamboys in Mr. Gilbert's 'Randall’s Thumb,' and on 29 May the first Estella in the same author's adaptation of 'Great Expectations.' A railway accident, of which she was a victim, interrupted her career, depriving her to some extent of memory. She appeared, however, at the Lyceum in 1879, in 'Book the Third, Chapter the First.' She more than once supported Mr. J. S. Clark as Mrs. Bloomly in the 'Widow Hunt,' and was on 30 Oct. 1882 Mrs. Birkett in a revival at the Criterion of 'Betsy.' In December 1872 a benefit was given her at Drury Lane, when she played Constance in the 'Love Chase.' She died on 9 April 1893, and was buried in Brompton cemetery. Miss Bufton's good looks and tall straight figure made her very acceptable in the heroes of burlesque, and in 'Jonathan Wild,' 'Paris,' 'Tell,' and such pieces, she enjoyed much popularity. In comedy she never rose above the second rank.



BULLEN, GEORGE (1816–1894), keeper of the printed books in the British Museum library, born at Clonakilty, co. Cork, on 27 Nov. 1816, began active life as a master at St. Olave's School, Southwark. In January 1838 he became supernumerary assistant in the department of printed books in the British Museum, and thus inaugurated a connection with the museum which lasted for more than half a century. At the date of his appointment the institution was entering on a very important era in its career. Panizzi had just been made keeper of the printed books, the demolition of the old Montagu House was completed, and the present buildings in Bloomsbury which had been erected on its site were ready for the reception of the library. Bullen's earliest work was to assist in the arrangement of the books on the shelves in the new premises. In the following year he took part in the