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 towards something like an alternation, or mixture, of music with discoursing, sound with sense, poetry with thought.' Of the composition of these works the following facts have been preserved. 'Pippa Passes' was the result of the sudden image of a figure walking alone through life, which came to Browning in a wood near Dulwich. 'Dramatic Lyrics' contained the poem of 'The Pied Piper of Hamelin,' which was written in May 1842 to amuse Macready's little son William, who made some illustrations for it which the poet preserved. At the same time was written 'Crescentius,' which was not printed until 1890. 'The Lost Leader' was suggested by Wordsworth's 'abandonment of liberalism at an unlucky juncture; 'but Browning resisted strenuously the notion that this poem was a 'portrait' of Wordsworth. In 1844 and 1845 Browning contributed six important poems to 'Hood's Magazine;' all these they included 'The Tomb at St. Praxed's' and 'The Flight of the Duchess' — were reprinted in 'Bells and Pomegranates.' The play, 'A Blot in the 'Scutcheon,' was written at the desire of Macready, and was first performed at Drury Lane on 11 Feb. 1843. It had been read in manuscript by Charles Dickens, who wrote, 'It has thrown me into a perfect passion of sorrow, and I swear it is a tragedy that must be played, and must be played, moreover, by Macready.' For some reason Forster concealed this enthusiastic judgment of Dickens from Browning, and probably from Macready. The latter did not act in it, and treated it with contumely. Browning gave the leading part to Phelps, and the heroine was played by Helen Faucit. 'The Blot in the 'Scutcheon,' though well received, was 'underacted' and had but a short run. There followed a quarrel between the poet and Macready, who did not meet again till 1862. 'Colombe's Birthday' was read to the Keans on 10 March 1844, but as they wished to keep it by them until Easter, 1845, the poet took it away and printed it. It was not acted until 25 April 1853, when Helen Faucit and Barry Sullivan produced it at the Haymarket. About the same time it was performed at the Harvard Athenæum, Cambridge, U.S.A.

In the autumn of 1844 Browning set out on his third journey to Italy, taking ship direct for Naples. He formed the acquaintance of a cultivated young Neapolitan, named Scotti, with whom he travelled to Rome. At Leghorn Browning visited E..T. Trelawney. The only definite relic of this journey which survives is a shell, 'picked up on one of the Syren Isles, October 4, 1844,' but its impressions are embodied in 'The Englishman in Italy,' 'Home Thoughts from Abroad,' and other romances and lyrics. Browning was now at the very height of his genius. It was through Kenyon that Browning first became acquainted with Elizabeth Barrett Moulton Barrett, who was already celebrated as a poet, and had, indeed, achieved a far wider reputation than Browning. Miss Barrett was the cousin of Kenyon; a confirmed invalid, she saw no one and never left the house. She was an admirer of Browning's poems; he, on the other hand, first read hers in the course of the opening week of 1845, although he had become aware that she was a great poet. She was six years older than he, but looked much younger than her age. He was induced to write to her, and his first letter, addressed from Hatcham on 10 Jan. 1845 to Miss Barrett, at 50 Wimpole Street, is a declaration of passion: 'I love your books, and I love you too.' She replied, less gushingly, but with warmest friendship, and in a few days they stood, without quite realising it at first, on the footing of lovers. Their earliest meeting, however, took place at Wimpole Street, in the afternoon of Tuesday, 20 May, 1845. Miss Barrett received Browning prone on her sofa, in a partly darkened room; she 'instantly inspired him with a passionate admiration.' They corresponded with such fulness that their missives caught one another by the heels; letters full of literature and tenderness and passion; in the course of which he soon begged her to allow him to devote his life to her care. She withdrew, but he persisted, and each time her denial grew fainter. He visited her three times a week, and these visits were successfully concealed from her father, a man of strange eccentricity and selfishness, who thought that the lives of all his children should be exclusively dedicated to himself, and who forbade any of them to think of marriage. In the whole matter the conduct of Browning, though hazardous and involving great moral courage, can only be considered strictly honourable and right. The happiness, and even perhaps the life, of the invalid depended upon her leaving the hothouse in which she was imprisoned. Her father acted as a mere tyrant, and the only alternatives were that Elizabeth should die in her prison or should escape from it with the man she loved. All Browning's preparations were undertaken with delicate forethought. On 12 Sept. 1846, in company with Wilson, her maid. Miss Barrett left Wimpole Street, took a fly from a cab-stand in Marylebone, and drove to St. Pancras Church, where they