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 xxviii 1860). The artist, Frederick Walker, who was afterwards on intimate terms with Smith, casually called at the office as a lad and asked for work on the magazine. His capacities were tested without delay, and he illustrated the greater part of 'Philip,' the second novel that Thackeray wrote for the 'Cornhill.' It was Leighton who suggested to Smith that he should give a trial as an illustrator to George Du Maurier, who quickly became one of the literary and artistic acquaintances in whose society he most delighted.

Two essayists of different type, although each was endowed with distinctive style and exceptional insight, Fitzjames Stephen and Matthew Arnold, were among the most interesting of the early contributors to the 'Cornhill.' Stephen contributed two articles at the end of 1860, and through the years 1861-3 wrote as many as eight annually—on literary, philosophical, and social subjects.

Matthew Arnold's work for the magazine was of great value to its reputation. His essay on Eugénie de Guérin (June 1863) had the distinction of bearing at the end the writer's name. That was a distinction almost unique in those days, for the 'Cornhill' then as a rule jealously guarded the anonymity of its authors. On 16 June 1863 Arnold wrote to his mother of his Oxford lecture on Heine: 'I have had two applications for the lecture from magazines, but I shall print it, if I can, in the "Cornhill," because it both pays best and has much the largest circle of readers. "Eugénie de Guérin" seems to be much liked.' The lecture on Heine appeared in the 'Cornhill' for October 1863. The hearty welcome given his articles by the conductors of the 'Cornhill' inspired Arnold with a 'sense of gratitude and surprise.' A paper by him entitled 'My Countrymen' in February 1866 'made a good deal of talk.' There followed his fine lectures on 'Celtic Literature,' and the articles which were reissued by Smith, Elder, & Co. in the characteristic volumes entitled respectively 'Culture and Anarchy' (1868), 'St. Paul and Protestantism' (1869), and 'Literature and Dogma' (1871).

With both Fitzjames Stephen and Matthew Arnold Smith maintained almost from their first introduction to the 'Cornhill' close personal intercourse. He especially enjoyed his intimacy with Matthew Arnold, whose idiosyncrasies charmed him as much as his light-hearted banter. He published for Arnold nearly all his numerous prose works, and showed every regard for him and his family. While Arnold was residing in the country at a later period, Smith provided a room for him at his publishing offices in Waterloo Place when he had occasion to stay the night in town.