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 he died at Eastbourne on 29 June 1895. He was buried at Finchley on 4 July. Several portraits of Huxley are given in his 'Life and Letters.' The best is that painted in 1883 by the Hon. John Collier, now in the National Portrait Gallery, London. His widow, with two sons, Leonard and Henry, and two daughters (Mrs. Waller and the Hon. Mrs. John Collier), survived him; a son Noel died in 1860.

Huxley was rector of Aberdeen University from 1872 to 1874, was created hon. D.C.L. of Oxford on 17 June 1885, and also received honorary degrees from Edinburgh, Dublin, Breslau, Würzburg, Bologna, and Erlangen. He was elected member of countless foreign societies, and in 1892 he accepted the office of privy councillor, but he cared little for such honours. The only reward for which he cared is that freely given to him by earnest men of every kind, in every country, who gratefully reverence his labours in furthering the noble objects which he set before himself, 'to promote the increase of natural knowledge and to further the application of scientific methods of investigation to all the problems of life to the best of my ability, in the conviction which has grown with my growth and strengthened with my strength, that there is no alleviation for the sufferings of mankind except veracity of thought and action, and the resolute facing of the world as it is when the garment of make-believe, by which pious hands have hidden its uglier features, is stripped off.'

Those of Huxley's essays which he wished to collect in a final edition are published in nine volumes of Collected Essays (Macmillan, 1893-4). An edition of his scientific memoirs, edited by Sir Michael Foster and Professor Lankester, is in course of publication in four quarto volumes; three have appeared.

 INGELOW, JEAN (1820–1897), poetess, born on 17 March 1820 at Boston, Lincolnshire, was the eldest child of William Ingelow, a banker, and his wife, Jean Kilgour, a member of an Aberdeenshire family. The early years of her life were spent in Lincolnshire, and the effect of the fen scenery is apparent in her verse. She then lived at Ipswich, and before 1863 came to London, where she spent the rest of her life. She was educated at home.

Her first volume, 'A Rhyming Chronicle of Incidents and Feelings,' published in 1850, attracted little attention, although Tennyson found some charming things in it (cf. Life of Tennyson, i. 286-7). It was not until the publication of the first series of 'Poems' in 1863 that the public recognised in Miss Ingelow a poet of high merit. It contained the verses entitled 'High Tide on the Coast of Lincolnshire, 1571,' which for earnestness and technical excellence is one of the finest of modern ballads. The volume reached a fourth edition in the year of publication. In 1867 an illustrated edition, with drawings by various artists, among them Poynter, Pinwell, A. B. Houghton, and J. W. North, was brought out. By 1879 it was in a twenty-third edition. A second series of poems appeared in 1876, and both series were reprinted in 1879. A third series was added in 1885. She wrote much under the influence of Wordsworth and Tennyson. Her verse is mainly characterised by lyrical charm, graceful fancy, pathos, close and accurate observation of nature, and sympathy with the common interests of life. The language is invariably clear and simple. She is particularly successful in handling anapsestic measures. Her poetry is very popular in America, where some 200,000 copies of her various works have been sold.

As a novelist she does not rank so high. Her best long novel, 'Off the Skelligs,' appeared in 1872 in four volumes. The 'Studies for Stories,' published in 1864, are admirable short stories. She depicted child life with great effect, and her best work in that line will be found in 'Stories told to a Child,' published in 1865. Between that date and 1871 she wrote numerous children's stories. Her books brought her comparatively large sums of money, but her fame rests on two or three poems in the volume of 1863. She was acquainted with Tennyson, Ruskin, Froude, Browning, Christina Rossetti, and with most of the poets, painters, and writers of her time. She died at Kensington on 20 July 1897, and was buried at Brompton cemetery on the 24th. 