Page:Dictionary of National Biography. Sup. Vol III (1901).djvu/383

 —the Last Resting Place of St. Andrew' (1888), 'The Trial and the Fate of Giordano Bruno' (1888), 'St. Brendan's Fabulous Voyage '(1893), as well as translations from the Greek of Demetrius Bikelas's writings on the 'Greek Question,' and translations of some novels of Tourgenieff. 'The Prophecies of St. Malachi' appeared in the 'Dublin Review' (1885). To Chambers's 'Encyclopædia' he contributed the articles 'Breviary' and 'Liturgy;' the latter article was abridged. At his death he was engaged with Mr. J. H. Stevenson and Mr. H. W. Lonsdale in preparing a work on ' The Arms of the Baronial and Police Burghs of Scotland,' the early publication of which is expected.

Bute's abilities—his deliberation, astuteness, courage, his knowledge and vast wealth—fitted him for a public career. But, although an admirable talker, he was of a retiring disposition, took no active part in politics, and preferred the life of a student. He was not a ready platform speaker, although his addresses were, like his writings, characterised by careful preparation and an admirably concise, eloquent, and simple style. Bute was liberal in his private charities as well as in his public benefactions. His diaries show that much of his time was often spent in discussing with his secretary applications for assistance. He was created a knight of the Thistle in 1895, and was also a knight Grand Cross of the orders of the Holy Sepulchre and St. Gregory.

Bute was seized in August 1899 with an apoplectic attack. He in great measure recovered. But on 8 Oct. 1900, while at Dumfries House, he experienced another seizure, to which next day he succumbed without rallying. His body was laid in the chapel by the shore at Mount Stuart, and, in obedience to the instructions he had left, his heart was conveyed to Jerusalem and buried on the Mount of Olives in presence of his family on 13 Nov. following.

In stature Bute was fully six feet. He was proportionately broad, with square shoulders, handsome, with distinguished bearing, dark brown hair and beard, blue grey eyes, and high-bridged nose. The principal portraits of him are, first, a full-length, at the age of twelve or so, by his mother's side (painted by J. R. Swinton) at Mount Stuart; secondly, a full-length, in Cardiff town council chamber (by Mr. Hubert Herkomer, R.A., 1892); thirdly, large head size in lord rector's robes in Students' Union Buildings, St. Andrews (by E. T. Haynes, 1895); fourthly, another Lead size in provost's robes in Rothesay town council chamber (by the same artist, 1898).

In 1872 he married the Hon. Guendolen Mary Anne, eldest daughter of Edward, first lord Howard of Glossop, and niece of Henry Granville, fourteenth duke of Norfolk. He left issue, first, John, born 1881, who during his father's life bore the title of Earl of Dumfries, and is now the fourth marquis; secondly, Ninian Edward, born in 1883; thirdly, Colum Edmund, born in 1886; and, fourthly, Lady Margaret.

 SULLIVAN, ARTHUR SEYMOUR (1842–1900), composer, younger son of Thomas Sullivan, was born at 8 Bolwell Terrace (now Street), Lambeth Walk, London, on 13 May 1842. His father, an excellent musician, played the violin in the orchestra of the Surrey Theatre, and afterwards became bandmaster at the Royal Military College, Sandhurst (1845–56); subsequently until his death, 22 Sept. 1866, at the age of sixty-one he held a professorship at the Royal Military School of Music, Kneller Hall, from its institution in 1857. Thomas Sullivan's elder son, Frederick (1837–1877), distinguished himself as an actor. The mother of the two boys, Mary Clementina, daughter of James Coghlan, came of an old Italian family named Righi.

Arthur Sullivan was cradled in music. At Sandhurst he obtained a practical knowledge of all the instruments in his father's band 'not a mere passing acquaintance, but a lifelong and intimate friendship.' He was sent to a boarding-school kept by W. G. Plees, at 20 Albert Terrace, Paddington. On 12 April 1854, aged nearly twelve, Sullivan was admitted one of the children of the Chapel Royal, St. James's, and two days later he was entrusted with the singing of a solo at one of the services. 'His voice was very sweet,' records Thomas Helmore [q. v.], the master of the children, 'and his stvle of singing far more sympathetic than that of most boys.' The children were boarded at 6 Cheyne Walk, Chelsea, with Helmore, who not only laid the foundations of Sullivan's musical education on a solid basis, but remained his attached friend till death. During his choristership Sullivan composed in 