Page:Dictionary of National Biography, Second Supplement, volume 3.djvu/287

 Scott began in 1871 a long connection with the 'Daily Telegraph.' He then became assistant to the dramatic critic, [q. v. Suppl. I], whom he shortly afterwards succeeded. With the 'Daily Telegraph' he was associated till 1898, becoming the best known dramatic critic of his day, and largely leading popular opinion in theatrical matters. For a time in 1893 he was also dramatic critic for the 'Observer,' and later of the 'Illustrated London News.' From 1880 to 1889 he edited the monthly periodical called 'The Theatre.'

Scott also tried his hand at the drama. On 1 April 1871 John Holhngshead produced anonymously at the Gaiety Theatre his 'Off the line,' a popular farce from the French. In March 1877 he adapted at (Sir) Squire Bancroft's suggestion, for the Prince of Wales's Theatre, Octave Feuillet's 'Le Village' under the title of 'The Vicarage.' But his chief dramatic successes were won in the adaptation of comedies of Victorien Sardou, also for the Bancroft management. With B. C. Stephenson, Scott based 'Peril' on Sardou's 'Nos Intimes' (October 1876) and 'Diplomacy' on Sardou's 'Dora' (January 1878). The joint adapters called themselves 'Bolton Rowe and Saville Rowe.' ’Diplomacy' was parodied by Burnand at the Strand Theatre in 'Diplunacy.' In 1882, when the Bancrofts had removed to the Haymarket Theatre, Scott anonymously produced 'Odette,' a third adaptation of Sardou.

Lightly written accounts of holiday tours which Scott contributed serially to the 'Daily Telegraph' and other newspapers he collected into volumes under such titles as 'Round about the Islands' (1873), and 'Poppy Land,' a description of scenery of the east coast (1885; often reissued). An account of a journey round the world, which he made in 1893, was similarly issued as 'Pictures round the World' (1894). He also showed fluency as a versifier. After his friend (Sir) Frank Burnand became editor of 'Punch' in 1880, he occasionally contributed effective verse of sentimental flavour to that periodical, some of which he collected in ’Lays of a Londoner' (1882), 'Poems for Recitation' (1884), and 'Lays and Lyrics' (1888).

After his withdrawal from the 'Daily Telegraph' in 1898, Scott founded in 1901 a penny weekly paper, the 'Free Lance,' which obtained no recognised position. He died in London, after a long illness, on 25 June 1904, and was buried in the chapel of the Sisters of Nazareth at Southend. He married (1) on 30 April 1868, at Brompton Oratory, Isabel Busson du Maurier, sister of the artist, by whom he had four sons (two dying in infancy) and two daughters; she died on 26 Nov. 1890; and (2) in April 1893 Constance Margarite, daughter of Horatio Brandon, a London solicitor. A portrait by Mordecai belongs to his widow.

Despite the popular influence of his dramatic criticism, Scott's habit of mind was neither impartial nor judicial. Against modern schools of acting and of realistic drama of the Ibsen type he nursed a prejudice which involved him latterly in frequent controversy. In the van when he began to criticise, he never moved beyond the ideals of Robertson and Sardou. Yet he was a pioneer in the picturesque style of dramatic criticism in the daily press, which superseded the earlier method of bare reporting and owed something to the example of his fellow writer on the 'Daily Telegraph,' [q. v.].

Besides the books mentioned, Scott published numerous volumes chiefly collecting his newspaper criticisms of the drama; these include:
 * 1) 'Thirty Years at the Play,' 1892.
 * 2) 'From "The Bells" to "King Arthur": a critical record of the productions at the Lyceum Theatre from 1871 to 1895,' 1896.
 * 3) 'The Drama of Yesterday and To-day,' 1899.
 * 4) 'Ellen Terry: an Appreciation,' 1900.
 * 5) 'Some Notable Hamlets of the Present Time,' 1900; 2nd edit. 1905.

 SCOTT, CHARLES THOMAS MONTAGU-DOUGLAS- (1839–1911), admiral, born at Montagu House, Whitehall, on 20 Oct. 1839, was fourth son of, fifth duke of Buccleuch [q. v.], by his wife Charlotte Ann Le Thynne (d. 1895), youngest daughter of Thomas, second marquess of Bath. After beginning his education at Radley, he entered the navy on 1 May 1853 as a cadet on board the St. Jean d'Acre, then newly commissioned by Captain Keppel [see, Suppl. II]. In her Scott took part in the Baltic campaign of 1854,