Page:Dictionary of National Biography, Second Supplement, volume 2.djvu/447

 Admiral Rous. In 1889 he intervened in the bitter controversy respecting the conduct of Charles Wood, the jockey, with a pamphlet in Wood's defence, entitled ‘The Bench and the Jockey Club.’

As a writer of books Lawley's most successful effort was ‘The Life and Times of “The Druid”’ [i.e. Henry Hall Dixon, q. v. Suppl. I] (1895). In conjunction with John Kent he published in 1892 ‘The Racing of Lord George Bentinck.’ Of handsome presence and courtly demeanour, Lawley proved a fascinating companion. He died on 18 Sept. 1901, in King's College Hospital, London, from an illness which had seized him that day in the street. In 1860 he married Henrietta, daughter of Frederick Zaiser, chaplain to the King of Saxony. He left no issue.

 LAWSON, GEORGE (1831–1903), ophthalmic surgeon, born in London on 23 Aug. 1831, was second son of William Lawson of the firm of Trower, Trower and Lawson, wine merchants, of the City of London, by his wife Anne Norton. After education at the Blackheath proprietary school, he entered King's College Hospital in 1848. Admitted M.R.C.S. in 1852, he served for a year as house surgeon to Sir William Fergusson [q. v.]. In 1852 he became a licentiate in midwifery of the College of Surgeons and licentiate of the Society of Apothecaries. Early in 1854 Lawson entered the army as an assistant surgeon, and in March of that year he left England with the first draft of troops for Malta. On the outbreak of the Crimean war he was detailed for duty at Varna with the third division under General Sir Richard England; from Varna he went to the Crimea and saw the first shot fired at Bulganak. He was present at the battles of Alma and Inkerman and was sent to Balaclava about the middle of January 1855. He had a severe attack of typhus fever in May 1855, followed by complete paraplegia. Although he had been gazetted assistant surgeon to the third battalion of the rifle brigade he was invalided home and at the end of the war he resigned his commission.

Lawson then decided to practise in London. Elected F.R.C.S. in 1857, he settled at 63 Park Street, Grosvenor Square, and turned his attention more especially to ophthalmic surgery, probably at the suggestion of Sir William Bowman [q. v. Suppl. I], who had been assistant surgeon at King's College Hospital whilst Lawson acted as house surgeon. Becoming clinical assistant to Bowman at the Royal London Ophthalmic Hospital, Moorfields, he was in 1862 elected surgeon to the hospital on the retirement of Alfred Poland (1822–1872), was appointed full surgeon in 1867 and consulting surgeon in 1891. He held the post of surgeon to the Great Northern Hospital for a short time. To the Middlesex Hospital he was elected assistant surgeon in 1863, surgeon in 1871, lecturer on surgery in 1878, and consulting surgeon in 1896. He served as a member of the council of the College of Surgeons from 1884 to 1892, and in 1886 was appointed surgeon-oculist to Queen Victoria. He died in London on 12 Oct. 1903, and was buried at Hildenborough, Kent. He married, on 5 March 1863, Mary, daughter of William Thomson, of the Indian medical service, by whom he had seven sons.

Lawson practised ophthalmic surgery as a part of general surgery and was little affected by the tendency towards specialism which completely divorced the two subjects before his death.

His works are: 1. ‘Injuries of the Eye, Orbit and Eyelids; their immediate and remote effects,’ 1867. 2. ‘Diseases and Injuries of the Eye; their medical and surgical treatment,’ 1869; 6th edit. 1903.

 LAWSON, GEORGE ANDERSON (1832–1904), sculptor, born at Edinburgh in 1832, was son of David Lawson by his wife Anne Campbell. After early education at George Heriot's Hospital and training under Alexander Handyside Ritchie [q. v.] and in the schools of the Royal Scottish Academy, Lawson went to Rome, where he was a critical admirer of John Gibson [q. v.]. Returning to England, he made his home for some years at Liverpool, gaining a considerable local reputation for imaginative groups and figures in terra-cotta. In 1862 he exhibited at the Royal Academy a marble statuette of ‘Jeannie Deans,’ and in 1866 he went to London. In 1868 his ‘Dominie Sampson,’ a humorous representation, free from all exaggeration, of the old pedant in Scott's ‘Guy Mannering,’ was exhibited at the Royal Academy and gained wide popularity. Lawson continued to exhibit regularly, gradually abandoning, however, the picturesque and romantic style of his earlier