Page:Dictionary of National Biography, Second Supplement, volume 2.djvu/42

 twenty-second senior optime, and in the same year was ordained deacon, becoming priest in 1861. From 1800 to 1873 he was curate of Christ Church, Westminster. In 1873 he was appointed to the vicarage of St. Luke, Berwick Street, a poor parish close to Seven Dials, which had recently been visited by cholera. Festing increased his reputation here for pastoral diligence, and on 19 May 1878 John Jackson, bishop of London, collated him to the important vicarage of Christ Church, Albany Street. There the church schools, in which he was alwaj^s greatly interested, were a prominent feature of parish life, while the church itself was a recognised centre for the high church party, to which Festing adhered. He became rural dean of St. Pancras in 1887, and on 26 June 1888 prebendary of Brondesbury in St. Paul's Cathedral.

On 24 June 1890 Festing was consecrated bishop of St. Albans, succeeding Thomas Legh Claughton [q. v. Suppl. I], who had resigned but was retaining the use for life of the palace at Danbury. The choice of a parish priest of no fame for eloquence or erudition caused surprise. But Lord Salisbury, the prime minister, had asked both Henry Parry Liddon [q. v.], who had himself declined the see, and R. W. Church [q. v. Suppl. I], dean of St. Paul's, to suggest to him a man of parochial experience and zeal, and each independently suggested Festing. As bishop, Festing proved business-like, sympathetic towards hard work, and devout. While in private he urged obedience to the Prayer Book, his high church sympathies made him unwilling to hamper earnest clergy by coercive administration. His see embraced the counties of Essex and Hertfordshire; and he chose to reside at Endsleigh Street, London, W.C, near the chief railway terminal. He afterwards secured a second house at St. Albans. His chief interest lay in the industrial and residential expansion of metropolitan Essex. Zealous in the cause of foreign missions, he mainly devoted himself to the Universities Mission to Central Africa, at the inauguration of which in the Cambridge senate-house he was present on 1 Nov. 1859. He was its assistant honorary secretary (1863–1882), treasurer (1882–1890), vice-president (1890–1892), and president and chairman (1892–1902), and advised on all the details of the mission's development. Although no scholar, he was a studious reader, rising early each day for that purpose. He was fond of travel and skilful in water-colour drawing. He died unmarried at Endsleigh Street of angina pectoris on 28 Dec. 1902, and was buried at St. Albans. Choir-stalls were placed in his memory in St. Albans cathedral in 1903.

 FIELD, WALTER (1837–1901), painter, youngest son of Edwin Wilkins Field [q. v.] by his second wife, Letitia Kinder, was born at Windmill Hill, Hampstead, on 1 Dec. 1837. He was a lineal descendant of Oliver Cromwell. After education at University College School, London, he was taught painting by John Rogers Herbert, R.A. [q. v.], and John Pye [q. v.] the engraver gave him lessons in chiaroscuro. Making art his profession, he painted outdoor figure subjects and landscapes, especially views of Thames scenery, which were often enlivened with well-drawn figures; he also produced a few portraits. At first he worked chiefly in oil, but subsequently executed many drawings in water-colour. His landscapes and coast scenes show skilful technique. Between 1856 and 1901 he exhibited at the Old Water Colour Society (Royal Society of Painters in Water Colours), at the Royal Academy (where he showed forty-two pictures), the British Institution (where he showed nine pictures), the Royal Society of British Artists, Dudley Gallery, and elsewhere. He was elected an associate of the Old Water Colour Society on 22 March 1880, but never attained full membership. He was also one of the earliest members of the Dudley Gallery, whose first exhibition was held in 1865. Field, who was devoted to his art, was a keen lover of nature; he was untiring in his efforts for the preservation of the natural beauties of Hampstead Heath, and was the chief founder of the Hampstead Heath Protection Society. A drinking fountam was erected on the Heath to his memory. He resided principally at Hampstead. He died at The Pryors, East Heath Road, on 23 Dec. 1901, and was buried in Hampstead cemetery.

The Victoria and Albert Museum has two water-colour drawings by Field, viz. 'Boy in a Cornfield' (1866) and 'Girl carrying a Pitcher' (1866); and three of his Thames views are in the Schwabe Collection in the Kunsthalle at Hamburg. Among his most popular works were 'The Milkmaid singing to Isaak Walton,' 'Henley Regatta,' which contains portraits from sittings of many famous oars- 