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 14. O come, all ye faithful. G. Rorison. ''Hys. & Anthems'', 1851.

15. O come, all ye faithful. R. Campbell. St. Andrew's Hymnal, 1850.

16. Ye faithful, approach ye. W. J. Blew. Church H. & Tune Bk., 1852.

17. O Christian people, come. I. Gregory Smith. ''H. Bk. for the Service of the Church''. 1855.

18. Exulting triumphant, come from every nation. Anon. Guernsey. Reprinted in Notes & Queries, 5th Ser. xi. p. 418.

19. O hie, ye believers, raise the song of triumph. F. Trappes, 1865.

20. Come, all ye faithful, joyfully. Anon. in J. F. Thrupp's Ps. & Hys., 1853.

21. In triumph, joy, and holy fear, J. C. Earle. Shipley's Annus Sanctus, 1884.

22. Come, O faithful, with sweet voice. C. Kent. Shipley's Annus Sanctus, 1884.

Adesto sancta Trinitas. [Holy Trinity.] The authorship of this short hymn on the Holy Trinity is unknown. Its earliest form is in a us. of the 11th cent. in the British Museum (Vesp. D. xii. f. 1150) printed in the Latin Hys. of the Anglo-Saxon Church, 1851, p. 161. Amongst the English Breviaries it is in those of York, Hereford, and Barum; on the Continent, those of Mainz and Busel; anu also in those of the Orders of the Carmelites, Dominicans, and Fratres Humiliati; but with varying texts. In Mone, i. p. 10, the text is given together with references to miss., and notes on the text; the oldest vs. dating from the 14th cent. Ile also gives two refrains which are sometimes associated with the hymn. Daniel, i. No. 304, gives only the first four lines with a reference to Cassander; but in iv. p. 234, he gives the full text as in Mone, together with Mone's references. It is also in Neule's Hymni Ecclesiae, 1851, p. 157; Hymn. Sarish. 1851, p. 115; the Domin. H. Bk., &c. [W. A. 9.]

Translations in C. U.:—

1. Be present, Holy Trinity; Like Splendour, &c. By J. M. Neale. Appeared in the Hymnal N. 1852, No. 35, in 5 st. of 4 1., and again in later editions. In 1867 it was repeated, unaltered, in the People's H., No. 161, and in the Hymnary, 1872, No. 337.

2. Be with us, Holy Trinity. By J. A. Johnston, 1st pub. in 2nd ed, of his English Hymnal, 1856, No, 148, in 5 st. of 5 1. In Kennedy, 1863, No. 1122, it is slightly altered, specially in the doxology.

2. Be present, Holy Trinity; Co-equal light, &c. By J. D. Chambers, in his Lauda Syon, Pt. i. 1857, p. 215, in 5 st. of 4 1. In the Salisbury II h. 1857, No. 133, and Sarum, 1888, No. 179, the tr. is an arrangement by J. Keble from Dr. Neale with lines 1, 2, of st. i. from this tr, by J. D. Chambers.

4. 0 Holy Trinity! be present. By F. Pott. in his Hys. fitted to the Order of Com. Pr., 1801, No. 107, in 5 st. of 4 1., and in later editions. [J. J.]

Adored for ever be the Lord. [Ps. xxviii] This cento in the Amer. Episcopal Hymnal, 1872, No. 421, is composed; st. i., of 4 lines, from Tate and Brady's version of Ps. 28, and st. ii.–iv. Anon.

Adoro Te devote, latens Deitas. St. Thomas of Aquino. [Holy Communion]. Of the actual date of the composition of this hynin we have no record. As in 1250 the author was engaged in Paris in writing on the Eucharist, and in 1268, in drawing up the existing office for the festival of Corpus Christi, at the request of Pope Urban IV., and for which he wrote the well-known hymns, Pange lingua gloriosi Corporis mysterium; Lauda Sion; Sacris solem nais; and Verbum supernum (q, v.), we may fix the date, somewhat indefinitely, as c. 1260. Although never incorporated in the public services of the Church, it was added at an early date to various Missals for private devotion.

In 1841 Daniel included it in vol. i. No. 212 with a short note. In 1853 ho was followed by Mone, No. 209, with a slightly differing text, from a Reichenau Ms, of the 13th or 14th cents., and extended notes, references, various readings and critical remarks; together with two refrains, one, which follows each stanza, (in Paar's Nucl. Devot. p. 232, and in Hymnod. Sacra, p. 330)-Ace Jesu verum manhu, Christe Jesu adauge fidem omnium credentium: and tho second (Ms.at Koblenz of the 17th cent.):-Bone Jesu, pastor fidelium adauge fidem omnium in te perantium. These notes, &c., are repeated with Dr. Neale's additions, by Daniel, iv. p. 234. note, Medieval Hymns, 1851 and 1867, &c., is:—

"The following hymn of S. Thomas Aquinas to the Holy Eucharist was never in public use in the Medieval tion, to most Missals. It is worthy of notice how the Church; but it has been appended, as a private deveAngelle Doctor, as if afraid to employ any pomp of words on approaching so tremendous a Mystery, has used the very simplest expressions throughout."

In addition to the foregoing, the text, slightly different from Daniel and Mone, specially in st. vi., is given in Card. Newman's I. Eccl. 1838 and 1865 (from a modern ed. of the Paris Brev. where it reads, "Adoro te supplex, latens Deilas"), and in The Domin. 11. Bk. Lond., 1887, This last is also different, tot only from Daniel and Mone, but from Card. Neoman also, It has Mone's two rcfiains arranged as one in two lines.

Translations in C. U.:—

1. D Godhead hid, devoutly I adore Thee. By E. Caswall, 1st pub. in his Lyra Catholica, 1849, p. 247. in 7 st., and with the retrain as in The Domin. II. Bk. This was repeated in his Hymns and Poems, 1873, p. 161, with alterations. The tr. of 1849 is somewhat extensively used in I. C. Hymnals, sometimes with the omission of the refrain. It is given so also in Canon Oakeley's te. of the Paradise of the Christian Soul.

2. Humbly I adore Thee, hidden Deity. Iy J. M. Neale, 1st pub. in his Medieval Hymns, 1851 and 1887, &c., in 7 st. of 4 1. This was included with slight alterations in the People's H., 1867, No. 178. It is also found in some works of private devotion.

3. Thee we adore, hidden Saviour, Thee. By Bp. J. R. Woodford, written in 1850, and 1st pub. in his lys, arranged for the Sundays, &c., of the Ch. of England, 1852, 2nd ed. 1855. Bp. Woodford adopted the reading as in Card. Newman's II. Eccl. (as above), with the omission of st. ii., iii., iv., thus reducing it to 4 st. of 4 1. In his st. iii. the lines 3, 4 are lines 3, 4 of Card. Newman's st. iv. A striking feature in this rendering is the change of the line, Pie pellicuno Jesu Domine to O fons puritatis, Jesu Domine, adopted from the Paris Brev. by Card. Newman and Bp.