Page:Dictionary of Christian Biography and Literature (1911).djvu/467

Rh is here referred to. It is marked in the Gelasian decree as apocryphal. Notwithstanding, there are indications that some use of the book continued in the West, e.g. the fact being that there still exist some 20 MSS. of the Latin version. In the African church of the 4th cent. we find f rom the list in the Codex Claromontanus (Westcott, Canon N. T. p. 557) that it was placed with the Acts of Paul and the Revelation of St. Peter as an appendix to the N.T. books; and it occupies a similar place in the Sinaitic MS., the only Greek Bible known to have contained it. But in some existing Latin MSS. it is placed with the apocryphal books of O.T.

The book is in three parts. The first part consists of visions. Hermas tells that he who had brought him up had sold him to Rome to a lady named Rhoda; that after a considerable time he renewed his acquaintance with her and began to love her as a sister; that he saw her one day bathing in the Tiber and assisted her out of the water ; that admiring her beauty he thought how happy he should be if he had a wife like her in person and disposition. Further than this his thought did not go. But a little time after he had a vision. He fell asleep, and in his dream was walking and struggling on ground so rugged and broken that it was impossible to pass. At length he succeeded in crossing the water by which his path had been washed away, and coming into smooth ground knelt to confess his sins to God. Then the heavens were opened and he saw Rhoda saluting him from the sky. On his asking her what she did there, she told him that she had been taken up to accuse him, because God was angry with him for having sinned in thought against her. Then Hermas was overwhelmed with horror and fear, not knowing how he could abide the severity of God's judgment, if such a thought as his was marked as sin. Rhoda now passes out of his dream and he sees a venerable aged lady clad in shining garments sitting on a great white chair and holding a book in her hand. She asks why he, usually so cheerful, is now so sad. On telling her, she owns what a sin any impure thought would be in one so chaste, so singleminded and so innocent as he; but tells him that this is not why God is displeased with him, but because of the sins of his children, whom he, through false indulgence, had allowed to corrupt themselves, but to whom repentance was open if he would warn them. Then she reads to him out of her book, but of all she reads he can remember nothing save the last comforting sentence, and that all which preceded was terrible and threatening. She parted from him with the words, "Play the man, Hermas." Hermas was an elderly man with a grown-up family, and Rhoda must have been at least as old as himself. If the tale is an invented one, this is certainly an incongruity; but if it be a true story, it is quite conceivable that the thought may have occurred to Hermas, who seems to have been not happy in his family relations, how much happier it would have been for him if Rhoda had been his wife; and that afterwards, in a dream, this thought may have recurred to his memory as a sin to be repented of. The vision presents all the characteristics of a real dream; the want of logical connexion between the parts, the changes of scene, the fading out of Rhoda as principal figure and the appearance of the aged lady in her room; the substitution of quite a different offence for the sinful thought which weighed on his conscience at the beginning; the physical distress in his sleep at first presenting the idea of walking on and on without being able to find an outlet, afterwards of mental grief at words spoken to him; the long reading of which only the words spoken immediately before awaking are remembered,—all these indicate that we are reading not a literary invention like the dream of the Pilgrim's Progress, but the recital, a little dressed up it may be, of a dream which the narrator really had. In another vision, a year after, he saw again the lady and her book, and received the book to copy, but still it conveyed no idea to his mind. He then set himself by fasting and prayer to learn its meaning, and after about a fortnight was gratified. He learns, too, that the lady is not, as he had imagined, the sibyl, but the church, and that she appeared as old because she was created first of all, and for her sake the world was made. Ephesians, which probably suggested this doctrine of the pre-existence of the church, is one of the N.T. books of whose use by Hermas there are clear traces. In subsequent visions we have a different account of the matter; he sees in each a woman more and more youthful in appearance, whom he is taught to identify with the church of his former vision; and it is explained that he saw her old at first because the spirit of Christians had been broken by infirmity and doubt, and afterwards more youthful as by the revelations made him their spirit had been renewed. After his first two visions Hermas watched eagerly for new revelations, and set himself to obtain them by fasting and prayer. In those later visions, while the pictures presented to his mind are such as we can well believe to have been dream representations, the explanations given of them have a coherence only to be found in the thoughts of a waking man. This is still more true of the second and third parts of the work. At the end of the first part he has the vision in which he sees a man dressed like a shepherd, who tells him that he is the angel of repentance and the guardian to whose care he had been entrusted. &amp;gt;From this shepherd he receives, for his instruction and that of the church, the "Commandments," which form the second, and the "Similitudes," which form the third part of the work. The Similitudes were probably suggested by N.T. parables, though the frigid compositions of Hermas fall infinitely below these.

The literary merits of the work of Herman are of little importance compared with the fundamental question as to the date of the book and whether it claims to be an inspired document, the writer of which aspires to no literary merit, save that of faithfully recording the revelations made him. Are we to suppose that Hernias in relating his visions intended no more than to present edifying lessons in an allegorical form, and that it was merely as