Page:Diaries of Court Ladies of Old Japan.djvu/28

 No one with such a gift can fail to be lonely, and Murasaki Shikibu seems very lonely, but it is not the passionate rebellion of Izumi Shikibu, nor the abiding melancholy of the author of the "Sarashina Diary"; rather is it the disillusion of one who has seen much of the world, and knows how little companionship she may expect ever to find: "It is useless to talk with those who do not understand one and troublesome to talk with those who criticize from a feeling of superiority. Especially one-sided persons are troublesome. Few are accomplished in many arts and most cling narrowly to their own opinion."

I have already shown Murasaki Shikibu's beautiful taste in dress, but indeed it is in everything. When she says "The garden [on a moonlight night] was admirable," we know that it must have been of an extraordinary perfection.

The Diary proves her dramatic sense, as the "Genji" would also do could it find so sympathetic a translator. No wonder, then, that it leapt into instant fame. There is a pretty legend of her writing the book at the Temple of Ishiyama at the southern end of Lake Biwa. The tale gains verisimilitude in the eyes of visitors by the fact that they are shown the chamber in the temple in which she wrote and the ink-slab she used, but, alas! it is not true. We do not know where she wrote, nor even exactly when. The "Genji" is supposed to have been begun in 1002, and most commentators believe it to have been finished in 1004. That she should have been called to Court in the following year, seems extremely natural. Queen Akiko xxvi