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Rh about twelve years of age, he was articled as a pupil and apprentice to this able man.

His progress in the study of composition, and especially of church music, was rapid. He also became an admirable performer on the organ, and often took the place of Jackson in the cathedral. The first of his compositions that appear to have attained any degree of celebrity were some vocal quartettes.

Having completed his studies with Jackson, Davy went to London, where he obtained a situation in the orchestra at Covent Garden; and he employed his time in teaching, and soon had a considerable number of pupils. He composed some dramatic pieces for the theatre at Sadler's Wells, and wrote the music to Mr. Holman's opera of What a Blunder, which was performed at the little theatre in the Haymarket in 1800. In the following year, he was engaged with Moorhead in the music of Perouse, and with Mountain in The Brazen Mask, for Covent Garden.

He was greatly lionized in Town, owing to the éclat attending his early efforts, and was retained as composer of music by the managers of the Theatres Royal until infirmities, rather than age, rendered him almost incapable of exertion, unhappily a victim to drink. He died, before he was sixty-two, in February, 1824, without a friend, and was buried in St. Martin's churchyard at the expense of two London tradesmen, one of whom, Mr. Thomas, was a native of Crediton.

Davy at one time had an ambition to shine as an actor, and he actually made his debut on the stage at Exeter, but failed.

Although Davy's end was so wretched, many of his compositions will never cease to be recollected and sung; notably that delicately beautiful ballad, "Just Like Love"; others, more boisterous in character, are,