Page:Destruction of the Greek Empire.djvu/450

 404 DESTRUCTION OF THE GEEEK EMPIEE deep contented ignorance of the Middle Ages. Antiquity as represented by its architecture, its sculpture, and its literature, was now to furnish the ideal of the Eenaissance. A great movement arose for the reproduction of classical architecture. But contemporary with it came the study of Latin classics. Virgil had never been altogether neglected and had, indeed, been regarded with a superstitious reverence. He was now glorified and imitated. Other Latin authors were diligently studied, and then the natural result followed. The students of Cicero and Virgil began to look for their models to the authors whom the Eomans had admired and had imitated. The study of the great Latin classics inevitably called for a knowledge of those written in Greek. The leaders in the revival of the study of the Latin authors were those who led the way also in the study of Greek. Petrarch and Boccaccio shared with Dante not merely the honour of forming Italian as a modern language but that also of leading the way to the appreciation of Greek learning by the scholars of "Western Europe. Greek scholars were welcomed. We have seen that Barlaam, a Calabrian by birth, the short, eager, stammering controversialist, whose bitter tongue, learning, and subtilty made him the leader in the angry con- troversy in Constantinople regarding the Inner Light in the time of Cantacuzenus, was sent on an embassy to Italy by the emperor. Cantacuzenus, though favouring the other side, attests the learning and ability of Barlaam and his acquaintance with Plato and Aristotle. At Avignon, he was persuaded by Petrarch to act as instructor in Greek, and with him the poet 1 read the works of Plato. Petrarch, though his acquaintance with Greek did not enable him to read the manuscript of Homer with which he had been presented, yet speaks of the gift in terms which show his admiration of Greek literature to have been profound and enthusiastic. It is recorded of him that he was able to select the greatest of the Greek poets by listening to the reading of their works although he was unacquainted with their language. 1 Hodius, De Graecis Must.