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 400 DESTEUGTION OF THE GREEK EMPIEE speech to become the general language of the Church and empire. The Greeks who were of Hellenic blood had never forgot- ten their own language or their classical writers. Others who had adopted their language came in time to consider them- selves of Greek descent and gloried in the writings of ancient Greece, as if they were the works of their ancestors. Language and literature led to the belief in a common origin. Just as Shakespeare and the English Bible are a bond of union among English-speaking people, so the possession of Greek, a the Greek classics, of the New Testament, and the Liturgies union. of the Church knit together the various Greek-speaking peoples under the empire. The common people learned to love the old Greek stories, to treasure the beautiful half religious, half mythical tales, the exploits recorded by Homer, no less than the simple mixture of inspiriting and patriotic historical narrative with the garrulous and ever pleasant stories of Herodotus. A long series of successive generations were nursed upon them, as they have indeed continued to be down to the present day. 1 There thus arose a traditional, historic, and patriotic feeling which bound together all Greek- speaking peoples, whether actually descendants from the Hellenic race or not. It existed in all sections of the community and led to a pride of race which has rarely been equalled. One curious illustration of the affection which existed for their reputed ancestors is noted by Dean Stanley and other writers. In mediaeval pictures still remaining in the monasteries of 1 The fascination of the old Greek stories still continues even among the poorest Greeks, and it is astonishing how generally they are known. I have often heard old Greek women, unable to read or write, tell children Greek paramythia which have evidently been handed down by oral tradition. A few years ago, in travelling among the mountains of Bithynia, I came on Easter Monday to a Greek village, far remote from any other, and away from all lines of communication, where they were performing a miracle-play. The villagers, dressed in their best, were all present as actors or spectators. The play itself was a curious mixture of incidents in the life of Christ and of others — and these formed the largest part — from Greek mythology. No one knew anything of its origin, and all the information obtainable was that the play had always been performed on Easter Monday.